Photographic Memory
Mostrando 13-24 de 29 artigos, teses e dissertações.
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13. Tempo redescoberto nas fotografias de Aristides Pedro da Silva, V8 / Time "regained" in the Aristides Pedro da Silva s photographic
This research proposes an understanding of the group of Aristides Pedro da Silva s pictures that for more than half century collected and produced images about Campinas (SP), conquering with this a big notoriety. From a simple beauty parlor to a Shopping Mall, from the Municipal market to the most diverse public institutions, going through houses belonging t
Publicado em: 2008
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14. Imagens fantasticas do carnaval do Recife / Fantastic images from Recife carnival
This work had as its purpose to review and rethink the legendary Carnaval of Recife in other heuristical parameters. The central objective is to risk proposing an aethestic model that can be applied in the editing and finalizing of research projects, one which see its subjects through a Visual Anthropology bias. The proposed scheme is made up of the followin
Publicado em: 2008
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15. Unfolding the city: images of modernity in the photographic look of Osmar Micucci (Jacobina 1955-1963). / Revelando a cidade: imagens da modernidade no olhar fotográfico de Osmar Micucci (Jacobina 1955-1963).
The present dissertations theme is the photographic work produced by Osmar Micucci between the years 1955 and 1963 about the city of Jacobina. Here the photographer is seen as a privileged beholder at the time the city went through several changes in its urban outlooks and in the cultural practices of its population, which were understood then as symptoms of
Publicado em: 2007
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16. A fotografia como instrumento da documentação e preservação da memória: arte e sobrevivência no alto Vale do Ribeira
The main aim of the present research is to base the photography as an instrument of historical and cultural reconstruction of the production of utilitarian of ceramic in the Alto Vale do Ribeira (State of São Paulo), one of the last areas to produce ceramic in traditional way, without the use of lathe. Such handicraft constitutes the corpus of this paper. T
Publicado em: 2007
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17. THE MYSTERIES OF CARANDIRU: PRISON, MASSACRE AND MASS CULTURE / OS MISTÉRIOS DO CARANDIRU: CÁRCERE, MASSACRE E CULTURA DE MASSAS
The aim of this dissertation is to investigate the entertainment and its different mediatics supports, concerning the phenomenon of proliferation of narratives about The House of Detention of São Paulo, the prison called Carandiru. From October 2, 1992, the date of the massacre of 111 prisoners by the Military Police, until these days, the memory of the pen
Publicado em: 2007
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18. Jeitos de ver, formas de narrar : itinerários fotográficos no Riacho Fundo II
The present study deals with the representation of the social world which is built by photographic repertoire and orality. It analyses, through a photography workshop carried out with the dwellers of Riacho Fundo II, satellite city of the Federal District, the manner in which every participant photographs elements of his/her daily life. From such images, the
Publicado em: 2007
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19. O uso das cores na arquitetura e na cidade: caso especial do bairro paulistano de Vila Madalena
This is an investigative work on the use of colors in architecture and the city, having as spatial borders, São Paulos neighborhood, Vila Madalena, due to the regions chromatic highlights. Notorious influence is given to the reading of the urban space, a language complex that forms the image in its poetry through the subjectivity of individually learned art
Publicado em: 2007
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20. A cidade e suas janelas : espaço e tempo na noite urbana
To study the night image of the city through windows, cuttings and framings that transform the broken landscape, establishing a new understanding of the space and of the time in the urban flow of the lights, traveling with the glance the visible elements and where the invisible is supposed by the memory and for the imagination. The photographic image - espec
Publicado em: 2006
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21. Photographic auto-representation in slum quarters: Olhares do Morro / A auto-representação fotográfica em favelas: Olhares do Morro
Photographs have taken an enormous importance in modern society. Usually, we register what we want to be viewed, but if we consider, for example, photographs of the population of the favelas, it is notice able that the most commonly presented image of the people, their environment and their daily life is not similar to the reality they perceive. They, thus,
Publicado em: 2006
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22. São Paulo women photographers / As retratistas de uma epoca : fotografas de São Paulo na primeira metade do seculo XX
This essays objective is analyze the photographic scene in the first half of 20th century in the city of São Paulo regarding the photographic production developed by the women, owners and conductors of theirs establishments. The opening of the work fits the pioneer Gioconda Rizzo, who opened its atelier in 1914, and continues analyzing the trajectory of
Publicado em: 2005
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23. O olhar fotografico de Francisco Brandão
The Portuguese Francisco Brandao , migrated to Brazil at the end of the XIX century. Although he was a druggist, he had Photography as a secondary activity. The research entitled "The Photographic eye of Francisco Brandao" aims to help us identify this "eye" and how it is reflected in the production and capture of the images made by him. For such, a historic
Publicado em: 2005
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24. RESQUÍCIOS CANGAÇAIS um resgate memorial dos bandos anônimos
The historical rescue of the anonymous cangaçais groups/bands was the way in which we tried to exhibit the public readers in general, the existence of an exaggerated majority omitted intentionally in opposition to the individualized canonization of Lampião as half-finished process of formation discourse. Weve had as general objective to retake the anonymou
Publicado em: 2005