Personal Films
Mostrando 1-12 de 15 artigos, teses e dissertações.
-
1. El humor gráfico y la educación de la mirada ambiental
Images have played a key role in the communication of environmental ideas since the origins of environmental movements whether to prove environmental problems or to provoke personal and collective commitment. Researchers have mainly analyzed the visual representations of nature through pictures, photographs and films. Environmental issues that comics arise a
Soc. nat.. Publicado em: 2012-08
-
2. Trajetórias de apropriação de vídeos e filmes por um grupo de professores de língua inglesa
The TV and the video have already been seen as a threat to formal education, accused of spreading a world out of reality, of inducing students to submerge in a world of violence and ideology controlling, and of taking time that students could use studying. However, this point of view has been replaced as quick as the means of communication and information te
Publicado em: 2010
-
3. Influência da radiação gama em filmes de PPV e PTHT: caracterização óptica e elétrica
In this work, we investigated the effects of Gamma ionizing radiation on optical properties of the polyeletrolite poly (chloride Tetrahydrothiophen of xililideno) (PTHT) and the conjugated polymer poly(p- phenylene vinileno) (PPV). The PPV films were processed from PTHT films and it was submitted on the annealing step at low (110oC) and higher (200oC) under
Publicado em: 2009
-
4. THE PANOPTICISM IN THE MOVIE: THE CONSTRUCTION OF THE SPACE THROUGH THE LOOK / O PANOPTISMO NO CINEMA: A CONSTRUÇÃO DO ESPAÇO ATRAVÉS DO OLHAR
Panopticism is a key concept for a better understanding on the functioning and shaping of the western disciplinary societies from the XVII - XVIII centuries on, as well as the production and control of the space. It hás appeared, in the midst of the seventies, in Michael Foucault´s Surveiller et Punir analysis about what was at that time an almost obscure
Publicado em: 2008
-
5. Luminosamente claustrofÃbicas: ambigÃidades cinematogrÃficas em Caio Fernando Abreu
Part of a generation for whom nothing seemed to matter after the sixtiesâ revolution and the contracultural desbunde of the eighties, the writer Caio Fernando Abreu is considered by national literary critics a spokesperson of his time, devoted to the definition of âgestures, conversations that, in pieces, started to trace a panel of the history of a genera
Publicado em: 2008
-
6. Luzes... Câmera... Reflexão: Formação inicial de professores mediada por filmes
This study aims at describing and interpreting the phenomenon of the critical reflective teacher education mediated by films, from the point of view of those who lived this experience: the teacher-researcher and the students who joined the elective course A Escola no cinema: reflexão sobre a prática pedagógica a partir de filmes. The theoretical underpinn
Publicado em: 2007
-
7. A viagem no cinema brasileiro : panorama dos filmes de estrada dos anos 60, 70, 90 e 2000 no Brasil / The trip on Brazilian Cinema : an overview about brazilian road movies of 60´s, 70´s, 90´s and 2000
The present dissertation is an overview about brazilian road movies made on 60´s, 70´s, 90´s and 2000 and the questions that it brings up, like the personal and brazilian identity quests inside a journey across the country. For this reflexion it was annalyzed the mainly road movies of each decade: in 60´s, Deus e o Diabo na Terra do Sol (Glauber Rocha, B
Publicado em: 2007
-
8. Sete afluentes para Robert Lepage / Seven streams to Robert Lepage
This dissertation discusses the work of the Canadian director Robert Lepage. It proposes to reflect on his method of bringing specific elements to theater or cinema, creating, through the dialectics between them, a singular and hybrid poetics. A director herself, the dissertation.s author uses as a foundation her own creative process (in the play Ofélia em
Publicado em: 2007
-
9. O conceito de violência de professoras do ensino fundamental.
The main objective of this study is to describe the concept of violence of a social group made up of fundamental school teachers belonging to public and private schools. In order to address different description levels, the following categories were established: class, modality and form of violence. In order to contextualize the conceptualized violence, its
Publicado em: 2007
-
10. Etnografias de si: a emergência dos filmes pessoais / Ethnographies of the self: the emergence of personal films
Ao enfocar o filme de família no contexto da produção pós-moderna, esta dissertação tem por intenção debater a questão da autenticidade, bem como o processo de legitimação cultural de sub-gêneros fílmicos afins surgidos na década de 60, como o filme diário e o filme pessoal. A proliferação deste tipo de produção uma espécie de meio-termo
Publicado em: 2006
-
11. Voices of boca / Vozes da boca
The Boca cinema of São Paulo was always distinguished as an independent production center. Its history takes impulse since the 60?s to the end of the 80?s. Two kinds of films mark this production: an experimental one and another one, more commercial. Through two criticism?s experiences, we can understand these productions: the texts of Jairo Ferreira in Sã
Publicado em: 2006
-
12. Relações entre valores pessoais e preferência por categorias de filmes
This study investigated the predictive relation between personal values and the preference for cinematic categories (genres and types of movies) assuming the possibility of audience selectiveness and of different messages in different movie categories; as probably people make an attempt to watch movies that present thematic contend that are congruent to thei
Publicado em: 2006