Myth In The Cinema
Mostrando 1-12 de 12 artigos, teses e dissertações.
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1. The contradiction/conflict between cultural formation and cultural industry in Theodor W Adorno / A contradiÃÃo/conflito entre formaÃÃo cultural e indÃstria cultural em Theodor W Adorno
The paper seeks to analyze the contradiction/conflict that emerges between the cultural formation and the cultural industry, considering as a start TW Adorno thoughts, and it points to education as the one which can contribute to the autonomy of the individual conscience who lives inside the capitalist society, land where flourishes the conflict between the
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 05/08/2011
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2. A construÃÃo do protagonismo feminino no cinema pernambucano na contemporaneidade: uma anÃlise sobre o Ãdipo, a perversÃo e a prostituiÃÃo na construÃÃo do imaginÃrio sobre a mulher pernambucana
This article analyses the construction of female protagonism on the last three films produced and launched in BrazilÂs Northeast. These films have women as lead roles. "O CÃu de Suely", "Deserto Feliz" e "Baixio das Bestas". Why all the protagonists on these films are, were or will be playing a prostitute? How will these characters help us to reflect on th
Publicado em: 2009
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3. Configurações do mito da nova ordemna cultura norte-americana em textos midiáticos de diferentes épocas / Settings of the new order myth in the north-american culture in media texts of different periods.
A presente tese busca compreender o processo de Comunicação das características da cultura norte-americana a partir da leitura e interpretação de textos midiáticos fílmicos de diferentes épocas. O apoio teórico parte da noção de memória textual e código-texto segundo estudos de Iuri Lotman, um dos pesquisadores da Semiótica da Cultura. Nessa pe
Publicado em: 2009
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4. O cinema trágico-poético de Pier Paolo Pasolini: Appunti per unOrestiade africana, Édipo Rei, Medeia / The cinema tragic-poetic of Pier Paolo Pasolini: Appunti per unOrestiade africana, Oedipus Rex, Medeia
The objects of the present work are texts about Man: the tragic-poetic cinema of Pier Paolo Pasolini and the classical Greek tragedies. That cinema author dedicated much attention to tragic texts, in which he saw a political foundation: the overcoming, by reason, of mans archaic past, which caused his existential uncertainty. After having translated Aeschylu
Publicado em: 2009
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5. RepresentaÃÃes Realistas do SertÃo: do Canto do Mar ao Baile Perfumado
A partir da anÃlise de quatro filmes de longa metragem, interrogaremos qual à a imagem do SertÃo e do sertanejo projetada na tela do cinema. Considerando a vasta cinematografia sobre o assunto, compreendemos que os filmes escolhidos e estudados traduzem uma idÃia de sertÃo amalgamado aos ârealismos e relatos histÃricosâ do seu espaÃo. Alguns filmes
Publicado em: 2008
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6. Initiation : a videographic look on Shavante myth and ritual / Iniciação : um olhar videografico sobre mito e ritual Xavante
The purpose of this work was the production of a short documentary film about the Shavante?s initiation ritual realized in 2005 between May and August in indian village called Sangradouro located in State of Mato Grosso. A brief introduction on important aspects of Shavante social structure is initially presented to permit understanding of the initiation rit
Publicado em: 2007
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7. A representação da identidade feminina em mulheres evangélicas na cidade do Recife: família, gênero e religião
The history tells the peculiarity of the roll attributed to women in society. Through out the centuries this roll has been transformed along with the new ways of thinking and representing the world and the gender relations. For a long period of time the dominant representation was the religious one to be more precise, in the western culture, the Jewish and C
Publicado em: 2007
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8. A TELA MANCHADA DE SANGUE UM ESTUDO DAS REPRESENTAÇÕES DO MITO DO BANDIDO URBANO NO CINEMA BRASILEIRO / THE SCREEN STAINED BY BLOOD A STUDY OF THE MYTH OF THE REAL URBAN OUTLAW IN THE BRAZILIAN CINEMA.
O presente trabalho busca investigar o mito do bandido urbano e as nuances de sua representação no cinema brasileiro. Analisa um conjunto de 11 filmes da produção cinematográfica dos últimos 50 anos, assim como a origem da construção desse mito na imprensa e sua exploração pela mídia contemporânea.Como pano de fundo, mostra as mudanças no perfil
Publicado em: 2002
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9. Os nibelungos : estudo a partir do drama de Richard Wagner e do filme de Fritz Lang
This work originated from the images produced by two spetacles: Richard Wagners musical drama and the movies. The similarities among the two languages determined the starting point of our reflections, rescuing in our memory the conductive threds: to hear and to see. To follow Wagner took us to the past of that kind of show that dominated the 19th. Century,
Publicado em: 2001
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10. A presença do simbolo e do mito no mundo contemporaneo : representações no cinema
The author studies the presence of symbols and myths in the contemporary world deriving it ftom an analysis of movies dating ftom this period. The study begins with a review of fonnulations about symbolsand myths, following different authors along the time. He chooses Paul Ricouer s concept of symbol and a conception of myth as a dramatic unfolding of symbol
Publicado em: 2001
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11. Brazilian Video Works: Diversity and Identity in a Global Context
The thesis intersects the fields of Video/Brazilian Studies/Cultural Theory, and utilises contributions from the areas of History, Philosophy, Anthropology, Sociology, Art History, and Film Studies. It traces an analytical trajectory through the critical investigation of six video works made by Brazilian videomakers. The first chapter, Sandra Kogut s What Do
Publicado em: 1998
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12. Mulher solta, mulher louca : Maria Venuto, das horas de seus dias a tela do cinema
This essay inseres itself in the development of new technologies in comunication and information. Due to the supposed democratization of knowledge proclaimed inherent to chips, cable and parabolic antenas, Mulher Solta, Mulher Louca is based in the necessity of recognizing history and within it the history of every human being so that he can exercise his cit
Publicado em: 1996