Musical Forms
Mostrando 13-24 de 32 artigos, teses e dissertações.
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13. Paralelos entre ação teatral e direcionalidade musical
This dissertation aims to investigate the historical parallel of theater and music in the period of constitution to the breakdown of drama and the tonal system. The central point of discussion is the analogy between the concepts of theatrical action and musical directionality, understood as the unfolding of a material initially selected as a basis for artist
Publicado em: 2010
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14. Caracterização da indústria de instrumentos musicais no estado de São Paulo: aspectos sócio/econômicos, de manufatura e de inovação
This study aimed to characterize aspects of manufacturing, innovation and socio/economic data from the Musical Instruments Industry (MII) in the state of São Paulo in the period 2003- 2008. The study was justified because the so called "entertainment industry", especially the "music industry" has brought substantive economic and social gains. It was aimed t
Publicado em: 2010
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15. Da indeterminação a invariancia : considerações sobre morfologia musical a partir de peças de carater aberto / From indeterminacy to invariance : considerations about musical pmorphology from opera form works
The aim of this research was to propose a transference of the indeterminacy issue to the musical morphology field. By evaluating musical works classified as indeterminated in respect of their openess to varied interpretations, we realized that the definition of a musical work in the terms of flexibility or strictness highly depends on how its morphological c
Publicado em: 2009
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16. Percussão e interatividade PRISMA : um modelo de esçao instrumento auto-organizado / Percussion and interactivity PRISMA : a model of a self-organized instrument-space
The contemporary development in technology makes it possible to create models for studying the correlations between stimuli and auditory, visual and spatial sensations. Numerous composers have already created compositional processes to explore these dimensions, but this is still incipient in the context of theoretical studies in music performance. Performers
Publicado em: 2009
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17. Remate de males: a música de poemas amorosos de Mário de Andrade / Remate de males: the music of Mário de Andrades love poems
The music is the matrix of the poetic work of Mário de Andrade. Harmonizing the different faces of the multiple poet, his musical face can be seen in the books Paulicéia desvairada (1922), Losango cáqui (1926) and Clã do jabuti (1927), as well as in the verses of Remate de males (1930), and in the posterior works of the author. A detailed study of poems
Publicado em: 2009
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18. "Truce um triângulo no matulão [...] xote, maracatu e baião": a musicalidade de Luiz Gonzaga na construção da "identidade" nordestina
The discussion about the Northeast and the political division of the country regionalization take part in the pathways institutors of history dynamics as a debate that goes beyond all discourses and power circles present in academic, politic, artistic, and literary points of view. This context has provided the structural elements of what can be called the in
Publicado em: 2009
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19. Relações entre elementos composicionais e meios de execução técnico-interpretativa em obras com características pós-minimalistas Brasil 2000, Amanduá e meio bossa para piano solo de Dimitri Cervo / Relation between composicionais elements and forms of technical interpretive execution works with post-minimalist caracteristics - Brasil 2000, Amanduá and meio bossa for solo piano by Dimitri Cervo
Esta dissertação apresenta um estudo das obras Brasil 2000 Op.12, Amanduá e Meio Bossa para piano solo, do compositor Dimitri Cervo (Santa Maria, 1968). O foco da pesquisa foi realizar um estudo analítico de procedimentos composicionais e, com base neste estudo, apresentar critérios técnico-interpretativos e sugestões a serem aplicadas durante a prepa
Publicado em: 2009
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20. Emblemas sonoros, emblemas da memoria / Musical emblems, memory s emblem
: Esta pesquisa propôs a construção de emblemas sonoros a partir do estudo das imagens do jesuíta alemão do século XVII, Athanasius Kircher. Neste trabalho essas imagens são vistas como aglutinações simbólicas. Os emblemas foram trabalhados e recriados nas formas: literária, de imagem e musical, na construção de um campo sonoro/espacial relacion
Publicado em: 2008
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21. LOUVAI CANTANDO: THE SONG BOOK THAT (EN)CHANTED THE MUSIC AND ITS PRATICES IN THE PROTESTANT GERMAN-BRAZILIAN SCHOOL IN IVOTI RS / LOUVAI CANTANDO: O CANCIONEIRO QUE (EN)CANTOU A MÚSICA E SUAS PRÁTICAS NA ESCOLA TEUTO-BRASILEIRA PROTESTANTE DE IVOTI-RS
The present dissertation is linked to the research line of Education and Arts from the PPGE/UFSM and to the group of studies and research Training, Action and Research in Musical Education FAPEM. Aimed to the analysis of the Musical Education practices that results from the Louvai Cantando song book utilization context in the German Brazilian school in Ivoti
Publicado em: 2008
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22. As transformações na música popular brasileira: um processo de branqueamento?
The present work has as objective to analyze the occured transformations in brazilian popular music being verified if and of that it forms occurred, the process of exclusion of the black population in this brazilian cultural segment, thus leading, Brazilian music to a whiteness process. We concentrate ourselves in the study of the official and registered his
Publicado em: 2008
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23. Ascendência retórica das formas musicais / Ascendência retórica das formas musicais
Esta pesquisa tem como objetivo investigar as influências e traços da retórica na gênese das formas musicais. Parte-se do pressuposto de que, a partir do desenvolvimento de uma música instrumental autônoma, emancipada da palavra, a herança retórica contribuiu para a disposição formal do material sonoro, bem como para harmonizar coerentemente as rel
Publicado em: 2007
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24. Radamés Gnattali: - "Suíte para quinteto de sopros" - Estudo analítico e interpretativo / Radamés Gnattali: - "Suíte para quinteto de sopros" - Estudo analítico e interpretativo
The main objective of the present research is to present an Analysis and an interpretative Study of the Suíte for Woodwind Quintet by Radamés Gnattali. For the sake of contextualization, the First Part presents biographical and historical data of the composers life. The Second Part focuses on the piece. It starts with aspects of the Suit and introduces the
Publicado em: 2007