Japanese Cinema
Mostrando 1-8 de 8 artigos, teses e dissertações.
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1. Aspectos educacionais do karate: discutindo suas representações no cinema
Resumo O karate é uma luta originária de Okinawa, ilha ao sul do Japão. Historicamente, atravessou três períodos: a partir do século XVII, como bujutsu, técnica clandestina de luta; depois, como budo, quando foi convertido em luta tradicional japonesa, em fins do século XIX, propugnando valores educacionais e identitários; e finalmente, como esporte
Educ. Pesqui.. Publicado em: 30/05/2019
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2. A experiência do cinema japonês no bairro da Liberdade / The experience of the japanese cinema in the Liberdade district - SP
In this ethnography, the Japanese cinema which was shown in the city of São Paulo between 1950 and 1980 is evoked in the memories of old-time movie goers of the Liberdade district. This investigation focuses on the local meanings attributed by both nikkei and non-nikkei audiences to Japanese films, to Liberdades cinemas and to the experience of frequenting
Publicado em: 2010
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3. Metropolis : the use of jazz music in the animated cinema / Metropolis : o uso do jazz no cinema de animação japones
Este trabalho tem como proposta analisar o uso do jazz no cinema de animação japonês, através de um estudo de caso que tem como objetivo o longa-metragem de animação "Metrópolis" (2001), dirigido por Rintaro, com roteiro de Katsuhiro Otomo, e música de Toshiyuki Honda. A metodologia que escolhemos foi a de estabelecer conexões com a literatura espec
Publicado em: 2009
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4. RASCUNHOS DOS TEMPOS: A CONQUISTA DA HONRA E CARTAS DE IWO JIMA REESCREVEM A HISTÓRIA E A MEMÓRIA
This study presents the cinema as one of the symbols of modernity, one of the phenomena of mass society and consumer society, by identifying the cinema as the owner of a specific language. The film is dealt with as an artifact of industrial society, one which contains meanings and historical substance. Three sources will be the objects of study, used as tool
Publicado em: 2009
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5. A PERSONAGEM-SIGNO REI LEAR/HIDETORA: intermidialidades e tradução intersemiótica da personagem rei em Shakespeare e Kurosawa
In a general way this work tries to construct a morphological signs of the charactersking Lear and Hidetora, respectively in Shakespeares King Lear (1606) and Japanese film director Kurosawas film Ran (1985). Kurosawa can be considered as one of the main contemporary film maker who through his films brings an understanding through the intersemiotic translati
Publicado em: 2008
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6. Ma: entre-espaço da comunicação no Japão um estudo acerca dos diálogos entre Oriente e Ocidente / Ma: an inter-space of communication in Japan a study on the dialogues between east and west
The dissertation investigates a few possibilities to translate the Japanese cultural element known as Ma, which represents an inter-space in which and at what time the process of communication occurs. The study starts from the understanding of Ma as a quasi-sign, which in its turn is a concept from Peircean semiotics, recognizable only through its materializ
Publicado em: 2007
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7. Cinema e poesia: uma relação intersemiótica em Akira Kurosawa
This work proposes a reflexion about the intersemiotic translation between cinema and the poetic language as from an analysis of the film Dreams (Japan, 1990), by the Japanese director Akira Kurosawa under an esthetic and semiotic perspective. Such approach takes, as its basic assumption, the reflection of the presence of poetic elements in the construction
Publicado em: 2006
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8. Descrição e movimento : imagens descritivas no cinema e na literatura
THIS DISSERTATION CONSISTS OF A DISCUSSION ABOUT DESCRIPTIVE LANGUAGE IN CINEMA AND IN LlTERATURE. I THEREFORE COMPARE TWO NOVELS WHICH HAVE BEEN ADAPTED FOR CINEMA: HOWARDS END. NOVEL OF E. M. FORSTER. ADAPTED FOR THE FILM HOWARDS END BY ..JAMES IVORY; THE ASPERN s PAPERS. A NOVEL OF HENRY ..JAMES, ADAPTED FOR THE FILM THE LOST MOMENT BY MARTIN GABEL. CONCE
Publicado em: 1997