Italian Cinema
Mostrando 1-7 de 7 artigos, teses e dissertações.
-
1. O cinema trágico-poético de Pier Paolo Pasolini: Appunti per unOrestiade africana, Édipo Rei, Medeia / The cinema tragic-poetic of Pier Paolo Pasolini: Appunti per unOrestiade africana, Oedipus Rex, Medeia
The objects of the present work are texts about Man: the tragic-poetic cinema of Pier Paolo Pasolini and the classical Greek tragedies. That cinema author dedicated much attention to tragic texts, in which he saw a political foundation: the overcoming, by reason, of mans archaic past, which caused his existential uncertainty. After having translated Aeschylu
Publicado em: 2009
-
2. O estado de exceção no cinema brasileiro contemporâneo / The state of exception in brazilian contemporary cinema
This paper aims to understand how the Brazilian cinema - designed as a symptom of our social juncture, as a result of economic conditions, political and cultural of our time points out the existence of a permanent state of exception in our legal and political structure. We will try to establish a theoretical path (Foucault, Arendt and Schmitt) to situate fro
Publicado em: 2008
-
3. A dimensão do silêncio no cinema de Valerio Zurlini / A dimensão do silêncio no cinema de Valerio Zurlini
This is an analysis of what we understand to be the main issue in Valerio Zurlinis cinema, the measure of silence, and how this is pontuacted in the form of pauses, ellipses and silences among the images. Trought the esthetic filter that the director himself provide to us two of his works come forward: Cronaca Familiare (1962) and La Prima Notte di Quiete (1
Publicado em: 2008
-
4. Pier Paolo Pasolini : uma poética da realidade
This dissertation presents a research on linguistic and cinematic theories in the work of the Italian intellectual Pier Paolo Pasolini, specially in the theoretical texts compiled in the volume Heretical Empiricism. The dissertation still embraces analysis of some Pasolinis poems and films. Initially, the research investigates how Pasolini conceives a semiot
Publicado em: 2008
-
5. Dramaturgo - ator - diretor: a comédia trágica de Eduardo de Filippo.
The present work through a path that originates in the millenarian tradition of the Neapolitan theatre and by means of the Homeric and picaresque anti-hero, seeks to approach itself to the modus operandi of Pulcinella, mask which constitutes in itself the eo ipso of the Neapolitan people. It proposes to create an imaginary and analogue bridge between Naples
Publicado em: 2008
-
6. Music, futurism and Vertov s sound track / Musica, futurismo e a trilha sonora de Dziga Vertov
The present dissertation has the purpose of presenting a resumed panorama of the Italian and Russian futurist movements focused on its musical aspects, as well an analysis of the futurist elements found in the film music of "Enthusiasm, Symphony of Donbass" produced in 1930 by Dziga Vertov
Publicado em: 2005
-
7. Mulher solta, mulher louca : Maria Venuto, das horas de seus dias a tela do cinema
This essay inseres itself in the development of new technologies in comunication and information. Due to the supposed democratization of knowledge proclaimed inherent to chips, cable and parabolic antenas, Mulher Solta, Mulher Louca is based in the necessity of recognizing history and within it the history of every human being so that he can exercise his cit
Publicado em: 1996