Guitar Technique
Mostrando 1-6 de 6 artigos, teses e dissertações.
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1. João Bosco : um cavaleiro e seu violão / João Bosco : a trooper and his guitar
This research had for purpose to analyze the music of João Bosco de Freitas Mucci, particularly, the way this artist plays guitar. The objective of this work was to demonstrate some technicians and musicals resources, relating them to an artistic project constructed in partnership with Aldir Blanc. A bibliography was raised that consisted, mainly, in interv
Publicado em: 2009
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2. Uma trajetória estilística do choro: o idiomatismo do violão de sete cordas, da consolidação a Raphael Rabello
This work aims at exploring the stylistic resources of the seven string-guitar in the Brazilian choro. It presents a brief description of the pioneers of choro, which is justified due to the traditional repertoire which the seven-string guitar covers, followed by an analysis of Garotos (Aníbal Augusto Sardinha) guitar contribution, this research deals with
Publicado em: 2009
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3. Terra dos passaros : an assessment of Toninho Horta s compositions in the album "Terra dos passaros" / Terra dos passaros : uma abordagem sobre as composições de Toninho Horta
Toninho Horta is a composer, acoustic guitar and electric guitar player and arranger born in Belo Horizonte, Brazil, in 1948. In the late 1960s, Horta became famous nationwide as an instrumentalist, accompanying Brazilian artists in concerts and recordings. His music was recorded by other artists. Horta became widely known as a member of "Clube da Esquina",
Publicado em: 2009
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4. Choro: uma proposta de ensino da técnica violonística.
The main purpose on this work was to study the repertoire of Choro, in the musical genre conception, in the technical preparation of students enrolling in the graduation course in guitar, in the discipline Instrument I (MUS-200) of the School of Music in the Federal University of Bahia. To this end, it has developed an approach to the teaching of the guitar
Publicado em: 2009
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5. A viola con anima: uma construção simbólica / A viola con anima: uma construção simbólica
The historical researches on the Brazilian violas were limited by textual and iconographical references to the musical instrument and its musical production, particularly from the second half of the 17th century to the beginnings of the 18th, except from a small reference found in Cancioneiro de Músicas Populares by Cesar das Neves, published first in 1893.
Publicado em: 2008
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6. César Guerra-Peixe: suas obras para violão / César Guerra-Peixe: suas obras para violão
Estudo da obra para violão de César Guerra-Peixe, sua importância dentro do repertório violonístico brasileiro, através de análises feitas com base nos textos do compositor. Elaboração do perfil do compositor relacionado a obra violonística com citações e depoimentos de personalidades relevantes. Levantamento do catálogo de obras para violão so
Publicado em: 2006