Film Music
Mostrando 13-24 de 25 artigos, teses e dissertações.
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13. A CONSTRUÇÃO DA DOCÊNCIA EM MÚSICA NO ESTÁGIO SUPERVISIONADO: UM ESTUDO NA UFSM
This thesis was carried out following the research line Education and Arts of the Postgraduate Education Program at the Federal University of Santa Maria (UFSM), Brazil, and it is one of the works originated in the research group FAPEM (Qualification, Action and Research in Musical Education), registered at the Brazilian research support agency CNPq. This wo
Publicado em: 2008
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14. The influence of the soudtrack on the perception of the cinema art : an analysis of the Brazilian movies Bye bye Brasil, Pra frente Brasil and Central do Brasil / A influencia da trilha sonora sobre a perceção da obra cinematografica : a analise filmica de Bye bye Brasil, Pra frente Brasil e Central do Brasil
Integrating piece of the audiovisual composition, the soundtrack establishes a dialog with the visual world, providing a better elaborated movie and facilitating the development of its language. The objective of this thesis is to perform a deep and thorough analysis of the sound elements of the Brazilian movies "Bye Bye Brasil" (1979) from Carlos Diegues, "P
Publicado em: 2008
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15. Função musical, acertos e errância na cinematografia publicitária : entre o jugo da estrutura e a epfania pública da imagem / Musical function, hits and wanderings athwart cinema adverts : between the yoke of the structure and the public epiphany of the image
Este trabalho é, em parte, uma exploração do meio publicitário com vista aos modos como a música é empregada em sua cinematografia. Do ponto de vista conceitual, posso dizer que a obra filosófica de Deleuze e Guattari é o ponto de encontro e divergência deste ensaio, que tem, quanto às filosofias da representação, uma postura crítica. À orienta
Publicado em: 2008
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16. The Work of Thomas Newman to the Cinema : Musical Facts that contribute to the Filmic Narrative Creation / A obra de Thomas Newman para o cinema : fatores musicais que contribuem para a criação da narrativa filmica
This research had for purpose to perform an analytical study of the music by composer Thomas Newman and its interaction to filmic narrative. The general principles of music utilization as part of the audiovisual composition were approached. Such principles, in part, were consolidated by the Hollywood tradition. Some theoretical considerations were made, base
Publicado em: 2007
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17. Poética do pop: a música como recurso narrativo no cinema contemporâneo. / Pop poetic: music as a narrative device in contemporary cinema.
This dissertation hereby aims at discussing about pop music functions in the filmic narrative. After all, pop music operates a variety of roles in the cinema universe both as building a film meaning and addressing it to a specific audience which uses music as a cultural device, and as a fundamental element to the own filmic narrative, performing some action,
Publicado em: 2007
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18. Elementos para uma poética da música do cinema : ferramentas conceituais e metodológicas aplicadas na análise da música dos filmes Ajuste final e O homem que não estava lá.
Neste trabalho é examinada a hipótese de que os estudos fílmicos brasileiros pagam tributos altos demais a um determinado esquema conceitual de atribuição de valor à música dos filmes, esculpido no âmbito das grandes teorias gerais do cinema, com raízes mais profundas na declaração assinada por Eisenstein, Pudovkin e Alexandrov sobre o futuro do c
Publicado em: 2007
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19. Filmando a musica : uma interpretação do cinema de François Girard / To film the music
This thesis proposes an analysis of the film/music relationship through discussions at the interface between Musicology and Film Theory. The chosen subject is François Girard?s film Thirty-two short films about Glenn Gould (1993). A specific approach is required in order to study the music in this film because of the musical world interpreted here by Girard
Publicado em: 2006
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20. Caminhos brasileiros : na trilha musical de David Tygel / Brazilian tracks : in David Tygel s film music
David Tygel é um compositor brasileiro de trilhas musicais atuante desde o início dos anos 80 até os dias de hoje. É reconhecido pelo meio cinematográfico brasileiro, com uma filmografia de cerca de 26 longas metragens, e diversos outros trabalhos, tendo sido premiado com quatro kikitos no festival de gramado. David Tygel também é reconhecido no meio
Publicado em: 2006
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21. Music, futurism and Vertov s sound track / Musica, futurismo e a trilha sonora de Dziga Vertov
The present dissertation has the purpose of presenting a resumed panorama of the Italian and Russian futurist movements focused on its musical aspects, as well an analysis of the futurist elements found in the film music of "Enthusiasm, Symphony of Donbass" produced in 1930 by Dziga Vertov
Publicado em: 2005
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22. Comunicação e cultura: amálgama e fragmentos no cinema contemporâneo / Communication and culture: amalgam and fragments in the contemporary film
This paper aims to study the assimilation of stylistic elements from music vídeos in film as of the 1990s. We shall align natural history, hereby understood as a history of symbols, with McLuhans media theories, which deal with changes in sensitivities due to exposure and utilization of new technologies. With these complementary two premises, we shall stabl
Publicado em: 2005
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23. The making of the pop idol: a textual analysis of video clips and building the image of Madonna. / A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna.
Madonnas videography, begun over 20 years ago, follows the evolution of music video itself, also consolidated in the 1980s. Ever since, Madonnas continuous popularity has provided her and her supporting team with a basis to perform both stylistic and thematic innovations in her music videos. The singer adopted music videos as an additional unfolding to her w
Publicado em: 2005
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24. O show deve continuar: o gênero musical no cinema
Inside the industrial cinema, the musical genre had its potentialities concealed by the label of escapism, contributing to the alienation of the spectator. Since then, it has become necessary to rescue this dramatic modality, through analyses and studies of significant musicals productions, searching its importance to the development of the classical cinema
Publicado em: 2005