Discursive Tradition
Mostrando 25-36 de 45 artigos, teses e dissertações.
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25. The French proverbs utilized as argumentation in art chronicles / Os provérbios utilizados como forma de argumentação nas crônicas de arte
The analysis of French proverbs as arguments requires a previous study of their origins, historical and cultural role and their characteristics. The main elements that differ them from other sentence genres are their sentence content, their fixed form that allows them to be recognized as an independent sentence, their implicative nature and their relationshi
Publicado em: 2008
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26. O leitor Gerardo Mello MourÃo / The reader Gerardo Mello MourÃo
The writerâs imaginary and aesthetical inclinations are inserted in the historical and cultural context which involves them. However, besides experiencing the social tensions of his time, the writer searches for his autonomy as a literary creator, absorbing and reinterpreting the tradition. Thus, in the analysis of literary project of Gerardo Mello MourÃo
Publicado em: 2008
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27. ESTUDY DESCRITIVE OF THE USES OF CLITIC LHE IN FORMAL VARIETY PORTUGUESE / ESTUDO DESCRITIVO DOS USOS DO CLÍTICO LHE NA VARIEDADE FORMAL DO PORTUGUÊS
This work aimed the description of the syntactic- discursive behavior of the clitic pronoun lhe in the formal variety of the written Portuguese modality. Concerned with the investigation of the semantic and syntactic properties of the lhe utilization, the analysis focus on the very separation between the semantic and formal plans, which have been associated
Publicado em: 2007
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28. A Era Vargas no pentagrama: dimensões político-discursivas do canto orfeônico de Villa-Lobos
This work makes a discursive analysis of the orpheonic singing spread through Brazilian society, in the years known as The Vargas Age (1930-1945), taken as part of the music teaching established by the State and commanded by Villa-Lobos. The collective singing, with its national anthems and/or patriotic songs, was also created to great chorus groups performa
Publicado em: 2007
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29. Dedução transcendental e esquematismo transcendental : o problema da possibilidade e da necessidade da constituição de objetos em Kant / Transcendental deduction and transcendental schematism: the problem of possibility and necessity of object s constitution in Kant
The expression Copernican Revolution , used by Kant to emphasize the rupturebetween critical philosophy and metaphysical tradition, takes us, above all, to consider the object of knowledge in a new way. Now, the problem of the relation between a representation and its object has a concept of the later which is similar to a mathematical construction as its so
Publicado em: 2007
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30. A palavra-chave racismo e suas relações lexicais: uma análise crítica dos discursos sobre relações raciais brasileiras em corpus de jornal impresso
Departing form a tradition in linguistic studies in the scope of Critical Discourse Analysis, through the analysis of lexical cohesion in mediated discourse, within the CORDIALL Project, from Faculdade de Letras, UFMG, this research has approached the discourse field of racial relations in Brazil as represented in a corpus of a broadsheet newspaper. The conc
Publicado em: 2007
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31. TraÃos de mudanÃas e de permanÃncia em editoriais de jornais pernambucanos: da forma ao sentido
O escasso conhecimento sobre a origem da maioria das tradiÃÃes discursivas motivou o interesse pelo estudo histÃrico do editorial em Pernambuco. Nesse sentido, esta pesquisa, com o propÃsito de integrar Ãreas afins do conhecimento, centra-se em quatro esforÃos bÃsicos: retratar as configuraÃÃes histÃricas, sociais e culturais da imprensa, do seu in
Publicado em: 2007
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32. A construção do discurso na ficção rosiana: oralidade, memória e cultura
This work apprehend the construction of the fable discourse, having the orality forms as manifestation and writing material towards the culture and the memory in the texts Conversa de bois (Oxen Talk), Campo geral (General field) and As margens da alegria (On the margins of the joy) by João Guimarães Rosa. It demonstrates the identity marks of the infant c
Publicado em: 2007
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33. TV ESPELHO: identidade cultural, cultura nacional e ambivalÃncia nas vinhetas do plim-plim
The vignettes are institutional spots of television channels and, together with the TV programme announcement spots, compose the art breaks from this media. Since it appeared in the mass media, the vignette has suffered many changes in its structure, themes and format. These days, it has worked in a double way: first, structuralizing TV programming, when ind
Publicado em: 2007
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34. O conceito normativo do Regime de Colaboração enquanto construção e ampliação de espaços públicos de direitos: mediações no percurso institucional da atuação do Prof. Dr. Neroaldo Pontes de Azevedo.
The object of this study is the institutional interlocution that could turn viable a Collaboration Regime among the Spheres or Levels of Government − a constitutional clause aiming at organizing and developing all Brazilian educational systems: Municipal, State, Federal District and Federal Union, in a country with deep regional inequalities. The macro
Publicado em: 2007
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35. A linguagem como forma de vida: uma leitura wittgensteineana sobre a gramática da doença mental no discurso da reforma psiquiátrica / The languange as form of live: the theory of Wittgenstein on the uses of the expression mental illness in the discursive practices of the Psychiatric Reform
This research focuses on the uses of the expression mental illness in the discursive practices of the Psychiatric Reform. Although vigorously criticized by several authors within this tradition, such expression is recurrently employed in Reform institutions and, in particular, within the Reforms reference texts themselves. Those texts are mainly characterize
Publicado em: 2006
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36. No Poema : a paradigm of Sophia de Mello Breyner Andresen s poetry / No Poema : um paradigma da tessitura poética de Sophia de Mello Breyner Andresen
This assignment aims the investigation over Sophia de Mello Breyner Andresen poetics throughout the series "No Poema", in the 7th part of the book entitled Geografia (1967). The poet plays up with the earthy and language crust. We observe common elements between her poetics and of her pairs. For instance: the poet reveals the Gods death as well as the langua
Publicado em: 2006