Computer Music
Mostrando 25-30 de 30 artigos, teses e dissertações.
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25. Sintese e reconhecimento da fala humana / Synthesis and recognition of human speech
The goal of this dissertation is to review the main concepts relating to the synthesis, processing, and recognition of human speech by computer. These technologies have many applications, which have increased substantially in recent years after the spread of portable communication equipment (mobile phones, laptops, palmtops) and the universal access to the I
Publicado em: 2006
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26. Sintese sonora auto-organizavel atraves da aplicação de algoritmos bio-inspirados / Self-organizing sound synthesis by means of the application of bio-inspired algorithms
Não há limitações teóricas para o uso do computador como fonte de sons musicais. O computador digital permite a produção de qualquer som concebivel dada a seqüência correta de números (amostras digitais). No entanto, produzir uma dada seqüência de números que corresponda a um som musical que possua determinadas características perceptivas desej
Publicado em: 2006
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27. "Processamento distribuído de áudio em tempo real" / "Distributed Real-Time Audio Processing"
Computer systems for real-time multimedia processing require high processing power. Problems that depend on high processing power are usually solved by using parallel or distributed computing techniques; however, the combination of the difficulties of both real-time and parallel programming has led the development of applications for real-time multimedia pro
Publicado em: 2004
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28. Investigando a atividade composicional : levantando dados para um ambiente computacional de experimentação musical
This work focuses on computational environments which use the Logo programming language, directed towards the musical context As an available resource for the individual to access the musical field, there is a need to broaden some characteristics of this language, airning at creating a learning environment which offers more opportunities for the musical "mak
Publicado em: 1994
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29. Self-similarity of the "1/f noise" called music.
Suggestions have been made that computer musicians should attempt to compose fractal music, and questions have been raised whether there is such a thing as fractal music. Voss and Clark observed that music is scaling, or 1/f noise, as analyzed on the basis of the amplitude (loudness) of the audio signals; they failed to find a fractal distribution of acousti
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30. How does visual thinking work in the mind of a person with autism? A personal account
My mind is similar to an Internet search engine that searches for photographs. I use language to narrate the photo-realistic pictures that pop up in my imagination. When I design equipment for the cattle industry, I can test run it in my imagination similar to a virtual reality computer program. All my thinking is associative and not linear. To form concepts
The Royal Society.