Bream Julian 1933 Fonografia
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1. The guitar in the age of recording: performance and misreading in the art of Julian Bream / O violão na era do disco: interpretação e desleitura na arte de Julian Bream
This thesis shows how the classical guitar canon is a phenomenon of the twentieth century in contrast, for example, with the piano, violin and orchestral repertoires, whose canons had been formed step by step since the end of the eighteenth century and dependent as such on the criteria fixed by its interpreters through the medium of sound recording. The proj
Publicado em: 2006