Brazilian Movie
Mostrando 25-36 de 47 artigos, teses e dissertações.
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25. A estética do kitsch em onde andará Dulce Veiga?, de Caio Fernando Abreu
This dissertation treats of the concept of kitsch in the novel Onde andará Dulce Veiga? Um romance B (1990), from Caio Fernando Abreu, with the intention of evaluating how and in what level this multiple narrative articulates the speech by using mass art manifestations in a kind of aesthetic and stylistic plurisignification, in a way that this massive genre
Publicado em: 2007
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26. A comunicação presencial de sem-tetos na cidade de São Paulo: a produção e distribuição da Revista Ocas
This research investigates the live communication of homeless people in São Paulo City in places with are meeting points such as cultural centers, theaters, movie theaters, bookstores and universities. The study is based on the experiences of those who take part in the production and sale of the Ocas Magazine, a brazilian example of a street paper, a worldw
Publicado em: 2007
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27. O cinema audiovisual: um formato configurado na interação teatro/cinema e tv
The culture of the audiovisual has since 1980 been expanding as a circulating space for a set of old and new creative expressions. This movement promotes significant changes in the practices within the systems of signs and means, originating new formats whose compositions unveil the convergence of languages, regardless of the means which originate them and w
Publicado em: 2007
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28. Velocidade e montagem: possibilidades de comunicação do tempo no cinema
The objective of this research is to reflect on the possibilities of the asceleration of time in media film products produced after the 90s. The chosen method was film analysis, aplyed to a case study of a brazilian movie, O Invasor, directed by Beto Brant (2001). The analysis of the editing tactics that articulates the acceleration of time on the movie was
Publicado em: 2006
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29. Poesia e reflexividade na produção de três documentaristas brasileiros contemporâneos: Helena Solberg, Eduardo Coutinho e Walter Carvalho
This work objectived to set up a dialogue among the reflexions os three brazilian movie makers Helena Solberg, Eduardo Coutinho and Walter Carvalho concerning the creation process in documentary making; to identify what they have in common and in what they diverge so that it makes possible for us to understand what is a documentary nowadays, its tendencies a
Publicado em: 2006
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30. MEMORY OF THE RESENTMENTS: THE ARMED REVOLT THROUGH THE BRAZILIAN CINEMA OF THE 80 S AND 90 S / MEMÓRIA DOS RESSENTIMENTOS: A LUTA ARMADA ATRAVÉS DO CINEMA BRASILEIRO DOS ANOS 1980 E 1990
The civilian-military dictatorship and the armed revolt that had an outbreak in Brazil from the year of 1964 on, worked as theme and scenery for a meaningful cinematographic production in the period of a political post-opening marking in an expressive way the culture of the 80 s and 90 s. Through videos produced throughout these years, the memory of the arme
Publicado em: 2006
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31. Tradução audiovisual: a variação lexical diafásica na tradução para dublagem e legendagem de filmes de língua inglesa / Audiovisual translation: the diaphasic variations in the dubbing and subtitling movies translations in English idiom
The diaphasic lexical variations which is the differences between several types of expressive modalities, have been frequently ignored by the movie translators, maybe for lacking of acknowledge of the translators, or the work of research that one must be developed in this case, what mischaracterize many characters. The goal of this research is bring up relev
Publicado em: 2006
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32. ANIMADAS PERSONAGENS BRASILEIRAS: A LINGUAGEM VISUAL DAS PERSONAGENS DO CINEMA DE ANIMAÇÃO CONTEMPORÂNEO BRASILEIRO / BRAZILIAN ANIMATED CHARACTERS: THE VISUAL LANGUAGE OF CONTEMPORARY BRAZILIAN ANIMATION CHARACTERS
This paper analyses the communicative aspects of the look of contemporary Brazilian animation short movie´s characters, using resources from Semiology. Animation cinema became an art at the beginning of the 20th century. With the cultural industry, it has cemented lots of characters in spectator´s memories around the world. However, the high expenses of an
Publicado em: 2006
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33. X-RAY OF THE CARIOCA METROPOLIS: RECORDS OF THE CITY IN THE CINEMA AND PARADOXES OF ITS IMAGE / RADIOGRAFIA DA METRÓPOLE CARIOCA: REGISTROS DA CIDADE NO CINEMA E OS PARADOXOS DA SUA IMAGEM
This paper aims at analyzing the cinematography image of the city of Rio de Janeiro in two moments: the 20th Century, for its political relevance as a consequence of the republican project for the city, and nowadays, reflecting upon current cinematography images that are significant for the carioca metropolis, as a counterpoint and assessment of the dreams c
Publicado em: 2006
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34. Do Milagre à Abertura: aspectos do regime militar revisitados através de uma análise do filme Pra frente Brasil
This study is considering to board of representation of facts occurred during the Brazilian military dictatorship, more specifically in the year of 1970, showed in the movie Pra Frente Brasil. We search in fixing them in this narrative that promoted to reread of the context politician and social Brazilian of the beginning of year 1970 and through this fílm
Publicado em: 2006
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35. A procura da essencia do ator : um estudo sobre a preparação do ator para a cena cinematografica
Traveling roads that are going from the language to the creation, of technical and material aspects to the human organicity, this study search to aim beginnings that contribute to the development of the actor s work for the movie scene, among them the naturalness, the organicity, the construction of the character versus the donation and the actor s readiness
Publicado em: 2005
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36. THE CONTEMPORARY AUDIOVISUAL: A WORLDY LANGUAGE / O AUDIOVISUAL NA CONTEMPORANEIDADE: UMA LINGUAGEM MUNDIALIZADA
The dissertation The contemporary audiovisual - a worldy language discusses the relations between the several medias that compose the audiovisual and their influences amongst one another, in order to understand wether there is one specific aesthethic for each one of them or if there is a general one that englobes all these medias, a wordly aesthethic. Our st
Publicado em: 2005