Um estudo sobre a influência de Eugenio Barba e o terceiro teatro na América Latina : limite, alteridade, invenção : Yuyachkani, Teatro de los Andes e Lume / An study on the influence of Eugenio Barba and the third theatre on Latin America : limit, alterity, invention : Yuyachkani, Teatro de los Andes and Lume
AUTOR(ES)
Andréa Paula Justino dos Santos
FONTE
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia
DATA DE PUBLICAÇÃO
25/08/2011
RESUMO
This dissertation aims at verifying the influence of Eugenio Barba and the Third Theatre on Latin America. In order to achieve this goal, it was decided to focus on the work of three Latin American theatre groups: Yuyachkani (Peru), Teatro de los Andes (Bolivia) and LUME (Brazil). At first, on chapter one, a historical-critical gathering of facts was made about the contact between Odin Teatret and Latin America since the second half of the seventies. There is a reflection upon this first phase, which covers the decade of the eighties, because that was a period where the first polemic facts arose and words such as colonialism and imitation appeared in some articles about this relationship. This analysis was made by taking into consideration that there is not one Latin America, but many different cultures embodied in the work of these theatre groups. On the second chapter, the work and the different contexts and dynamics of each of the groups were taken into account in order to analyze this contact. On the last chapter, by the junction of theory and field research, the different levels of negotiation that occurred through this contact were verified. The aim of this work was not concerned with finding answers to the questions that came forth, but to contribute to the reflections about this specific period on Latin America Theatre history.
ASSUNTO(S)
identidade alteridade teatro identity alterity theatre latin america
