Two dogs as an object: surrealistic elements in João Cabral de Melo Neto. Approaches to the cinema / Dois cães como objeto: elementos surrealistas em João Cabral de Melo Neto. Aproximações com o cinema

AUTOR(ES)
DATA DE PUBLICAÇÃO

2010

RESUMO

This dissertation examines the presence of surrealistic elements in the poetic work of the poet João Cabral de Melo Neto (1920 1999), from his literary debut with Pedra do sono, in 1942, until O cão sem plumas (1950). This work, written by the poet during his long sojourn abroad, it will be the main object of this study, the corpus where well describe the relation between the surrealistic procedure, mainly its filmic aspect, and procedures operated by the poet, like the relation between montage and metaphor, and the use of simile as a way of composition by the poet. It will help us to point textual marks that makes possible a kind of thematic itinerary of the relation among João Cabral, surrealistic expression and film creation. At last, well recompose the poets dialogue with two characters from his Recifes background: Willy Lewin and Joaquim Cardozo. Detailing the way them influences will be noted in the body of his work.

ASSUNTO(S)

surrealismo luis buñuel luis buñuel joão cabral de melo neto comparative literature joão cabral de melo neto o cão sem plumas surrealism o cão sem plumas literatura comparada.

ACESSO AO ARTIGO

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