Trio Marítimo de Almeida Prado : subsídios para interpretação / Trio Marítimo by Almeida Prado : subsidies for performance

AUTOR(ES)
FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

06/07/2011

RESUMO

The main objective of this dissertation is an analytical study of the structure and forms employed in the Trio Marítimo for violin, cello and piano by Almeida Prado. Based on this study and interviews with the composer, suggestions of interpretation are presented. These suggestions are based on the composer s compositional technique called Transtonalism, that serves as basis for the whole texture of the work. This study involved three steps: the first one dealt with the recognition and analysis of structured musical forms in each movement of the piece; the second one involved direct interviews with the composer when it has been argued the aspects of texture and harmonic construction, using the Transtonalism, and the third one, performance suggestions presented based on the previous two steps. The result also shows that despite the particular texture of Almeida Prado in his composition, this piece was conceived on musical forms and harmonic conduction inherited from the classical period, especially Beethoven demonstrating that, despite the evolution of musical writing and processing methods of composition and texture, the musical forms of the past still survive these advances.

ASSUNTO(S)

trio maritimo música performance (arte) trio maritimo music performance art

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