Through the mirror: the constitution of negginer paiting of Andy Warhol (1956-1968) / Através do espelho: a constituição da pintura inicial de Andy Warhol (1956-1968)

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

Andy Warhol started to work with the silkscreen techniques in the 1960s. Graphic and photographic images were copied and transferred straight onto canvas. The artist abandoned the traditional modes of painting and began working with the appropriation of serialized images from billboards, photos, packages and film. The use of such clichés was controversial. In several discussions, critics tried to understand Warhols choices from his dialogue with other artists and as an interpretation of the facts of social reality. This study attempts to build an alternative interpretation that tries to understand the reasons for the modification of procedures and poetics in the Andy Warhols work and his impact on the 20th century art.

ASSUNTO(S)

estados unidos serigrafia united states screen printing filosofia da arte philosophy of art arte moderna modern art

ACESSO AO ARTIGO

Documentos Relacionados