The critical realism of João das Neves / O realismo critico-encantatorio de João das Neves

AUTOR(ES)
DATA DE PUBLICAÇÃO

2006

RESUMO

This research analyses the dramaturgic production of João das Neves, encompassing the following plays: O último carro (1964), O quintal (1978), Mural mulher (1979), Café da manhã (1980) e A pandorga e a lei (1983-1984). These works were produced during the military dictatorship in Brazil. The political engagement of João das Neves made possible the development of a theatre turned to the effervescent problems of the Brazilian social reality, and leading the author to formulate an epic-structured play with its particular specificities. In this sense his dramaturgy aims to enlighten the public about some aspects of the social machinery, integrating the viewer to the scenic space. He also presents the characters from a social perspective ? non-individualized, as it is the case of the bourgeois drama

ASSUNTO(S)

joão das political drama teatro (literatura) popular culture drama brazilian drama teatro (literatura) - tecnica drama cultura popular teatro brasileiro teatro politico neves

ACESSO AO ARTIGO

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