The Arrangement as an Organic Element Linked to the Brazilian Popular Song: a proposal of semiotic analysis / O arranjo como elemento orgânico ligado à canção popular brasileira: uma proposta de análise semiótica

AUTOR(ES)
DATA DE PUBLICAÇÃO

2007

RESUMO

Based on the semiotic, in the studies which were carried out by Mikhail Bakhtin about the assumption of the discourse of someone else and mainly on the theory created by Luiz Augusto de Moraes Tatit (The Semiotic of the Song), the thesis The Arrangement as an Organic Element Linked to the Brazilian Popular Song: a proposal of semiotic analysis has as its main objective to demonstrate that, as the creator of the Semiotic of the Song convincingly imposed an idea that according to the fact that if we analyze only the lyrics of a popular song, we will lack half of its meaning, each and every analysis of the popular song which has its arrangements not been taken into consideration will lack one third of its meaning. Thus, it is proposed that other than being known as song analysts, we must be known as phonogram analysts. For a complete analysis, we have brought back the classic concepts of the semiotic by studying them, analyzing them, and also when necessary, criticizing either the concept itself or its constitution. Here we examined the constitution of the notion of the semiotic existence to establish the means of existence of the popular song; the existing polemic relations found in the arrangements of the Brazilian popular song; the use of a determining factor in order to make the choice of the instruments which compose the arrangements; the use of the discourse of someone else in the arrangements of the Brazilian popular song. All the conclusions which we have come to so far were applied for a complete analysis of the song ?JackSoulBrasileiro?, a song composed by Lenine.

ASSUNTO(S)

arranjo musical; canção popular; música; semiótica; semiótica da canção arrangement; music; popular song; semiotics; semiotic of the song.

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