Princípios para o treinamento vocal do ator: vozes que chamam, perguntam e dialogam / Principles for the actors vocal training: voices that call, ask and converse

AUTOR(ES)

Gina Maria Monge Aguilar

DATA DE PUBLICAÇÃO

2008

RESUMO

This research aims to formulate, describe and understand the general principles for the actors vocal training. In order to reach such goals, I started up from my own experiences not only in Costa Rica but also in Brazil nowadays; from the contact I had with Roy Harts work, through Richard Armstrong and through the research done with seven Brazilian voice specialists and researchers. After a bibliographic review on the theme, several interviews have been done, as well as attendance to drama performances performed by them. Finally, the achieving of a training-creation process completed the tools to postulate such principles. They converge into two fundamental points; first, voice is energy; second, it can be transformed through creativetraining in theater poetry.

ASSUNTO(S)

creative-training training treino-criativo teatro principles treinamento princípios voz drama voice

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