O teatro pós-dramático na escola / The post-dramatic theater in the school

AUTOR(ES)
DATA DE PUBLICAÇÃO

2007

RESUMO

With the publication of the law Nº9.394/96 in Brazil, which one transforms artistic activities in knowledge area of the school curriculum, appears the necessity of thinking about a theater learning accordingly with the contemporary culture. This research theoretical-practical, in essence artistic-educational, look for a way of articulate a specific theater tendency with the pedagogical speech, considering for this the context of Brazilian public school. Emphasize the importance of thinking over a learning that can be done beyond the classroom, interacting with the social environment and making this theater activity also a cultural action. This work proposes, in the field of theater learning, that the adopted methodologies are still arrested to esthetic models, which show themselves each time more insufficient to face the constant changes processed in the cultural context; mainly about the message receiving questions. The way proposed to face this context is to make the arts allied, but independents from the pedagogical speeches. In this way, we believe that the artistic processes could be educational too, providing to the participants the experience of change the value of the things. Still proposes a teaching attitude that is different from a simple methodology by their objectives; while in this we work starting from a project, with diagnostics and a goal to be reached, here the proposed attitude do not systematizes previously, because it is an action that only have value by the effect it causes: the change of the path of the meaning from that is acting over. Well-grounded in some theoretical references, as Foucault, Lyotard and De Certeau, the thesis indicates a way of thinking about a teaching that emphasizes an approach to the present that can transform theater in an acting in this present, in the school space and in the art teaching. This attitude can be observed in the artistic proposals linked to the action of happening, of performance and of urban intervention that, together, form what we call here as post-dramatic theater.

ASSUNTO(S)

theatre urban intervention escola teatro school intervenção urbana

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