Nietzsche e a metafisica do artista : o Centauro e o fio de Ariadne / Nietzsche and the metaaphysics of the artist : the Centaur and the Ariadne yarn
AUTOR(ES)
Ricardo Bazilio Dalla Vecchia
DATA DE PUBLICAÇÃO
2009
RESUMO
This research aims at to argue prompt aspects of the workmanship of the German philosopher Friedrich Nietzsche (1844-1900), more specifically of its Metaphysics thesis of the Artist developed in the period of youth (1870-1876). Articulated in three movements our research will start for a general mapping of the historical and intellectual context of the philosopher, it will allow us to point out it in the critical project of modernity cultural politics of century. XIX, after that we will make an reconstitution of the quarrels across the period of the youth, having aimed at to detach the main theoretical foundations and methodological on which it erected the thesis of Metaphysics of the Artist, and, finally, we will undertake a prompt analysis of this thesis having had as point of view the theory of the creative processes. By means of these three movements we will notice that the Metaphysics of the Artist originates from the joint between a special direction and a special register, nominated the backwarddirection (Hintersinn) of artist and third register, that, as we consider, can be understood as conducting wire, or Ariadne´s wire, for interpretation of the philosophical program of youth, that we call Labyrinth
ASSUNTO(S)
apollo (greek deity) dionisio (deus grego) estetica (filosofia) dionysus (greek deity) aesthetics apolo (deus grego)
