Fotografia e alteridade : os limites das linguagens na experiência etnográfica

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

The criticism of the construction of knowledge is implied throughout this dissertation, and directed mainly to the closest science to me: the anthropological. The encounters provided by its texts, often based on other encounters, sometimes invited me to experience otherness. However, never seemed so vivid as the experiences that makes us human. Therefore, I question the refraction of the anthropological text to other languages, limiting itself of becoming a new experience that arouses the desire to encounter. And it is through photography that I focus on the question. I rely on the passion I have for images to rethink what is possible of its experience, to concretize its dialogue with anthropological making. A tortuous path under construction. The dialogue takes form through fragments of thoughts and analysis, a bricolage of texts/photos that does not intend to answer or imply certainty to the issue, but to raise new questions and paths. As photos, thoughts here are placed in a nearly random sequence, an immanent ordination to the vicissitudes of writing. I put a story that could certainly be narrated with other photos, other time, but that in some way, represent my manner to play with language and to speak about the unspeakable. The words, the tone and the analysis do not intend to close this concern: they are permanent and unfinished exercises in search for a body of the striven.

ASSUNTO(S)

ciencias sociais aplicadas fotografia

ACESSO AO ARTIGO

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