FICÇÃO E HISTÓRIA EM PÃO COZIDO DEBAIXO DE BRASA DE MIGUEL JORGE
AUTOR(ES)
Luisa Alves de Mendonça
FONTE
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia
DATA DE PUBLICAÇÃO
11/03/2011
RESUMO
This dissertation aims mainly analyzing the work Pão cozido debaixo de brasa (2004), Baked Bread under ember (2004) by Miguel Jorge goiano writer. It will analyze the fiction of this author with the intention of identifying in his texts the presence of intertextuality, dialogism, polyphony, and discursive genres. In this aspect, will be discuss the relationship between history and contemporary fiction that takes historical events such as theme and turns them into literary texture. With this thought, it will seek to understand the Miguel Jorges textual development, whose characteristics are linked to post-modern productions, drawing on the theoretical precepts of Hutcheon and the Maria Luiza Carvalhos essayist work, researcher and scholar of literary productions from Miguel Jorge writer. The theoretical depart from Bakhtin (2003), Kristeva (1974), Braith (1996), for a discussion about the power of the word when used as a discourse / recourse of the lower social classes. We also used the theoretical study of Hayden White (1995), André Trouche (2006), among others, with the intention to show how narratives structure fictionally the historical extractions. It is proposed in this research, a study on the relationship interdiscoursive between History and Fiction in the novels Veias e Vinhos (1985) Veins and Wines (1985), Nos Ombros do Cão (1991) On Dogs shoulders (1991) and, in particular, Pão cozido debaixo de brasa (2004), Baked Bread under ember (2004). Then, through the concepts of discursive genres, intertextuality and polyphony will be observed the structures used by Miguel Jorge in order to meet the style and form from the writer.
ASSUNTO(S)
miguel jorge ficção história gêneros discursivos polifonia intertextualidade letras miguel jorge fiction history discursive genres polyphony intertextuality
