Eduardo Sued: Minotauros / Eduardo Sued: Minotauros
AUTOR(ES)
Gilton Monteiro dos Santos Junior
DATA DE PUBLICAÇÃO
2008
RESUMO
Eduardo Sueds paintings are underlined for kinds of results and a radical unsystematic process. Seeing the painters action method we propose a critic and interpretative analyses of his production. We use two ideas for it. The first is the swerve and the second is the labyrinth. The swerve is a strategic revision that suits with the operation of painting, demonstrating the mode as Sued works the tradition and labyrinths idea ascribe the character to the form of experience, its image, residing there the unit of production. Thus the labyrinth will be present as in intra-poetics relations moment as in possible way to interpret this work. The reconstruction idea comes of its lively and broke process to paint to reconstruct possible meanings to the painting today something that it will do lawful at the contemporaneous world no to intend to reduce it for dogmas. The labyrinths and swerve ideas discover links to the modern tradition through their constructive heritage. And they dont leave to replace and to underline in these paintings contemporaneous dilemmas that are theirs
ASSUNTO(S)
artes pintores brasileiros eduardo sued crítica e interpretação eduardo sued história da arte brasileira sued, eduardo, 1925- crítica e interpretação contemporaneous brazilian painting brazilian art history arte moderna séc. xx brasil pintura brasileira contemporânea criticism and interpretation
