Dramaturgia da Atuação Cômica : o desempenho do ator na construção do riso

AUTOR(ES)
DATA DE PUBLICAÇÃO

2008

RESUMO

This research aims to understand actors role in comical performances, as well as the specific characteristics and necessities which involve the actors work in provoking laughter. To achieve this goal, different proposals and experiences were compared: Freuds studies on Jokes and Their Relations to Unconscious; the Method of Physical Action created by Stanislavski; different experiences told in interviews with artists who work with comical performances; as well as the authors own experience in the Brazilian group Celeiro das Antas, as a teacher at the performance arts department in the University of Brasilia (Brazil) and as a clown. The analysis of such elements permitted to achieve a list of procedures to be applied by an actor in order to lead to laughing. Many of these procedures are adopted not only by actors but also by other professionals who use humor as a mean of communication. The research intends to enlarge the range of possibilities to the artists who work provoking laughter and creating humor

ASSUNTO(S)

comic performance palhaço dramaturgia comic procedures stanislavski riso ações físicas smile stanislavski cômico comic actions laughter ações cômicas comédia species of the comedian atuação cômica comic espécies do cômico clown procedimentos cômicos freud physical actions freud

ACESSO AO ARTIGO

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