Dançatar: uma autopoieses do feminino através da dança. / Dançatar: a female self-poiesis through dance.

AUTOR(ES)

Naranda Costa Borges

FONTE

IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia

DATA DE PUBLICAÇÃO

18/08/2011

RESUMO

This dissertation, an observation-based research, proposes a Female Self-poiesis trought Dance. This work results from studies and movement experiences carried out by the researcher with women groups. The motivation problem of this study is the need of female self-construction as an answer to the challenges and requests of contemporaneity. The hypothesis assumes that Dance has a potential way of reveal that allows the woman to find your traces and identifications through your body-narratives needed to accomplish her selfpoiesis. Its transdisciplinarity approach is grounded on Psychology, Oral Tradition, Philosophy, Biology throught the following authors: Humberto R. Maturana and Francisco J. Varela, Carl Gustav Jung, Jacques Derrida, Gilbert Durand, Michel Maffesoli, ZygmuntBauman, David Le Breton and Mary Del Priore. Dance researchers as such as María Fux, Klauss Vianna and Ivaldo Bertazzo, and Psychology researchers as: Siegmund Hurwitz and Valéria Fabrizi Pires, were also regarded. The approach comes from the myths-characters archetypes of Eve and Lilith, pointing them as assumed oppositions and re-signified on the character of the Holly Mother from Brazilian Colonial Period. At the end of this dissertation, are pointed the principles and directions of a Dance for the Female Self-poiesis.

ASSUNTO(S)

teatro dança imaginário feminino autopoieses dance female imaginary self-poiesis

Documentos Relacionados

• Restrictions on the compositional improvisation involved in dance.
• Corpo, maturidade e envelhecimento. O feminino e a emergência de outra estética através da dança.
• A diversidade da cultura da Síria através da música e da dança
• O Grupo CoMtePus e a dança frouxa: (re)looking at deconstructionist thinking-doing in dance.
• O CORPO COMO ESPAÇO DE LOUVOR E ADORAÇÃO MEDIANTE A DANÇA