Anatomia animica da criação : analogias entre sonhar, criar e viver: imagem como linguagem / Animistic anatomy of creation: analogies between dreaming, creating and living: image as language

AUTOR(ES)
DATA DE PUBLICAÇÃO

2005

RESUMO

The fascinating animistic reality of the artistic creative process offers many possibilities for reflections, search and pilgrimage. Visual Art invites me to look and to listen leading me to the risk of suggesting possible ways of contact and approach to Image as Language. The main course of the work is to investigate the implications of the artistic making trom its roots in the deep inside of the artist-the unknown land of the soul-where forces yet unshaped move towards a definition given by shape as as outcome of images as such in dreams and visions, ali of it in the symbolic dimension. Shape attained throughout the effort and discipline practiced by the artist as a mean of translating its imagination in the work of art. The guiding references are the testimony of some artists about their experiences conceming the meaning of creativity, and the analysis of a few images in works of art selected by personal empathy. A wider space is given to the contemplation of Juan Miro s painting: Personagens e Passaros na Noite 1973. Theoretical foundations are based on Carl Gustav Jung s work on the archetypal views of the creative forces that nourishes and instigate human imagination. Methodology is inspired by genetic critic, aiming to understand the crucial moments of the creative processo Multidiciplinary connections are traced with the fields of Psychology,Arts (Iiterature as well), Philosophy and Spirituality

ASSUNTO(S)

surrealismo civilization criação artistica alchemy alquimia arte artistic creation art surrealism alma civilização

ACESSO AO ARTIGO

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