World Music
Mostrando 37-48 de 77 artigos, teses e dissertações.
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37. The influence of the soudtrack on the perception of the cinema art : an analysis of the Brazilian movies Bye bye Brasil, Pra frente Brasil and Central do Brasil / A influencia da trilha sonora sobre a perceção da obra cinematografica : a analise filmica de Bye bye Brasil, Pra frente Brasil e Central do Brasil
Integrating piece of the audiovisual composition, the soundtrack establishes a dialog with the visual world, providing a better elaborated movie and facilitating the development of its language. The objective of this thesis is to perform a deep and thorough analysis of the sound elements of the Brazilian movies "Bye Bye Brasil" (1979) from Carlos Diegues, "P
Publicado em: 2008
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38. Emile Jaques-Dalcroze : sobre a experiencia poetica da ritmica : uma exposição em 9 quadors inacabados / Emile Jaques-Dalcroze : about the poetic experience of eurhythmics : an exposition in 9 unfinished pictures
This work presents the concepts and practices of Eurhythmics (Rythmique) as conceived by the Swiss composer Émile Jaques-Dalcroze (1865-1950). It discusses the relation of Eurhythmics with modern dance and gymnastics in Europe and in the U.S. It also stablishes a comparison between the poetic experience of Eurhythmics and the German employ of rhythm and exp
Publicado em: 2008
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39. Pentecostalismo e imaginário : rupturas e continuidades na hinologia pentecostal na passagem da modernidade para a pós-modernidade
This dissertation attempts to investigate the discontinuities and continuities in the theology, mentality and world-vision of Brazilian pentecostals. To that end it has as its special object of study the musical repertoire of the pentecostal communities, evaluating the internal evolution of that which is sung in the worship services and other meetings. Music
Publicado em: 2008
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40. Ruidos, rumores e vozes da linguagem em Freud e Proust / Noises, rumors and voices of the language in Freud and Proust
The present research analyses the concept of divided subject, memory and language in La prisonnière (1923), a posthumous novel by Marcel Proust (the fifth volume of the À larecherche du temps perdu series). The study is carried out in the light of the theory ofmemory and language by Sigmund Freud in one of his earliest papers On Aphasia (Zur Auffassung des
Publicado em: 2008
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41. Kafus Amerika Monogatari: a country and an unknown people / Narrativas da América: o confronto com o desconhecido
Nagai Kafus Amerika Monogatari is a book that contains twenty-three narratives written in the period from 1903 to 1907, time in that the writer lived in the United States. This work illustrates the authors reflection on themes as the Japanese immigration at the beginning of the XX century, the encounter with the western culture and the Japanese society after
Publicado em: 2008
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42. Study of the Significance of the Body in Umbanda: limits and possibilities of applicability of some Lacan concepts / Estudo da significância do corpo na Umbanda: limites e possibilidades de aplicabilidade de alguns conceitos lacanianos
The Umbanda religion holds a vaste and rich symbolic imagery which manifests itself through an wide range of ritual elements, such as gestures, movements, bodily expressions, speechs, dance, music, or by many other particular expressions included in this Brazilian religion. The study was done in two separated temples: the first one, the Mother Silvana Temple
Publicado em: 2008
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43. MUSIQUE BAIANAISE? Um estudo do processo de compra de espetáculos musicais baianos na França
A pesquisa analisa o processo de compra de espetáculos musicais baianos na França, um dos países que, tradicionalmente, acolhe as músicas provenientes de várias partes do mundo. O objetivo geral do estudo é contribuir para compreensão dos processos de exportação da música produzida na Bahia. Investigou-se o que os franceses entendem como música br
Publicado em: 2008
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44. Tecendo uma cidade modelar: relações entre currículo, educação escolar e projeto da cidade de Curitiba na década de 1990
This research started from the fact that Curitiba has a city project which was explicitly developed in the 1990s engaging for its strength several groups from different fields, including the educational one. Thus, we aimed to answer the following question: how was the city project built and where can we place the school education in the relationships involve
Publicado em: 2008
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45. Discursos identitarios em torno da musica popular brasileira / Identity discourses about brazilian popular music
Brazilian music, throughout almost the whole XXth Century, had a direct relation to the national identity, in a moment in which the nation corresponded to a singular State and a singular People, while the relationship among these three elements and the rest of the world was articulated by the opposition internal/external. In a contemporary time, in which the
Publicado em: 2007
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46. Arranjos de música regional do sertão caipira e sua inserção no repertório de coros amadores / Choral arrangement, choral singing, amateur choir, Brazilian regional music, "sertão caipira".
This article proposes a reflection about the repertoire sung by amateur choirs, focusing on the process of elaboration of vocal arrangements based upon Brazilian regional music, especially country-hick songs (música caipira). The songs discussed here and their arrangements unfold a very particular thematic world, that of the music from one of Brazils variou
Publicado em: 2007
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47. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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48. Signos e Metáforas na Comunicação da Música
The key questions that triggered this research were: does music communicate anything? what does it communicate? is that communication metaphorical? The communication theme in music, which is a non-verbal language and, perhaps, the most intransitive of the arts through its evident independence in relation to the factic world and intense vagueness of its objec
Publicado em: 2007