Plastic Arts
Mostrando 25-36 de 40 artigos, teses e dissertações.
-
25. A matriz de gravura como elemento de moda / The matrix of figure that fashion element
This dissertation developed on the line of studies in Contemporaneous Processes of Visual Image Prodution, of the Masters in Visual Culture of Visual Arts University, from UFG (Federal University of Goiás) resulted in plastic productions, were fashion and tecnics of figure, blend toghether forms, materials and images. The objective of this work, was concetr
Publicado em: 2007
-
26. A arterapia com criança hospitalizada: uma análise compreensiva de suas produções / Art therapy with hospitalized child: a comprehensive analysis of their productions
hildhood Hospitalization can be an stressor event in the course of her development.. Considering the hospitalized childs mental health Art Therapy activities can create in pediatric units a healthy environment that will favor self expression. This study aimed to accomplish a comprehensive analysis of a hospitalized childs plastic arts, from the Analytic Psyc
Publicado em: 2007
-
27. THE MYSTERIES OF CARANDIRU: PRISON, MASSACRE AND MASS CULTURE / OS MISTÉRIOS DO CARANDIRU: CÁRCERE, MASSACRE E CULTURA DE MASSAS
The aim of this dissertation is to investigate the entertainment and its different mediatics supports, concerning the phenomenon of proliferation of narratives about The House of Detention of São Paulo, the prison called Carandiru. From October 2, 1992, the date of the massacre of 111 prisoners by the Military Police, until these days, the memory of the pen
Publicado em: 2007
-
28. Wor(l)d of Art: Inscriptions of the Page, obscure Poetry in Conceptualism
In the 60s and 70s, Conceptual Art emerged as ground-breaking tendency when making of verbal language one of its most sigfnificant instruments of creation. Taken off the intimacy of paper, words were put in evidence shaking artistic categories with works that stood between images and letters. In an environment of de-mythification of the imagetic value, Conce
Publicado em: 2007
-
29. Image and Likeness : a study on child s image in the paintings by Eliseu Viscont, Vicente do Rego Monteiro, Tarsila do Amaral and Lasar Segall / A Imagem e Semelhança : um estudo sobre a imagem da crinaça nas pinturas de Eliseu Visconti, Vicente do Rego Monteiro, Tarsila do Amaral e Lasar Segall
This study analyses the image of children in the paintings of Eliseu Visconti, Vicente do Rego Monteiro, Tarsila do Amaral, and Lasar Segall. It encompasses the period of approximately 1890 to 1940, whose central line of problematics is the emergence of a political, artistic, and cultural movement. That period registers a profound change, not only in the soc
Publicado em: 2007
-
30. A CARICATURA: MICROCOSMO DA QUESTÃO DA ARTE NA MODERNIDADE / CARICATURE: MICROCOSM OF THE ARTISTIC ISSUES IN MODERNITY
In this work, the relevance of caricature, both in modern literary and plastic discourses, is considered in two moments: during the first half of the XVIII century, in the interaction between William Hogarth and Henry Fielding, concurrent to the beginnings of the English novel, and in mid XIX century, when Charles Baudelaire, especially in his essay De l ess
Publicado em: 2006
-
31. Literature, fine arts and cinema: correspondences and transformations in Clarice Lispector / Literatura, artes plásticas e cinema: correspondências e transformações em Clarice Lispector
The expression ut pictura poesis by Horaces Ars Poetica gave rise to the inter-relationship of the signs of arts. Hence, if relationships can be established between poetry and painting, likewise, there are some possible relationships amongst the literary text and other arts and medias. This study hypothesizes that similar cosmovisions express similar transla
Publicado em: 2006
-
32. A dimensão social do desenho :um estudo sobre as interações no processo de (re) construção imagética da criança no Ensino Fundamental
In the historical-cultural perspective, the drawing is processed by means of a shared and complex way, under diverse relations with the other and with the immersed signs of the culture. That is, something constituted by the social interactions and that can modify the structure of the psychological functions, therefore as socialized sign, propitiates the inco
Publicado em: 2006
-
33. CONCRETIST DESIGN: A STUDY ON THE RELATIONSHIPS BETWEEN THE GRAPHIC DESIGN, THE POETRY AND THE CONCRETIST PLASTIC ARTS IN PERIOD OF 1950/1964 / DESIGN CONCRETISTA: UM ESTUDO DAS RELAÇÕES ENTRE O DESIGN GRÁFICO, A POESIA E AS ARTES PLÁSTICAS CONCRETISTAS NO BRASIL, DE 1950 A 1964
At the begining of the fifty´s in Brazil, especifically in Rio de Janeiro e São Paulo, a group of graphic designers embraced the ideals of The Concrete Art by importing The European concepts of Funcionalism and Constructivism. The hipothesys suported in this essay is that it existed, like Concrete Poetry, Concrete Plastic Arts and Concrete Photography, a B
Publicado em: 2005
-
34. Recursos de linguagem na animação: a enunciação cinematográfica construida a partir das transformações da figuratividade quadro a quadro / Resources of animation language: the cinematographic enunciation constructed on frame by frame figurativeness transformation
Definition of issue and objectives: This work aims to identify and review some of the resources of animation movies, determined by its specific production processes with several subjects, frame by frame, that recognises it as a special form of cinematographic language. Which are the specificities of cinematographic enunciation that are intrinsic to the frame
Publicado em: 2005
-
35. Communication and meaning: the material in the fine arts / Comunicação e Sentido:a matéria nas artes plasticas
This study is based on the presumption that the production, circulation and grasp of meaning should be the ultimate purpose of any communication theory that is able to conceive both the individual and the social as mutually built from exchanges of meanings where both aspects are involved with each other. It takes as its corpus a group of paintings and sculpt
Publicado em: 2005
-
36. Objeto e instalação : itinerarios de criação e compreensão em artes plasticas
Object and installation itineraries of creation and understanding in plastic arts is presented as an inquiry on artistic making and its consequent theorization that allows the critical appreciation of plastic arts in contemporaneousness. We initiate the study considering that contemporary art processes a disruption with traditional categories, promotin
Publicado em: 2004