Plastic Art
Mostrando 13-24 de 65 artigos, teses e dissertações.
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13. Os modelos plásticos auxiliares e suas funções entre os pintores italianos : com a catalogação das passagens relativas ao tema extraídas da literatura artística / The auxiliary plastic models and their functions among Italian painters : with the listing of the passages on the theme taken from the artistic literature
Procedimento surgido na Itália central durante o Quatrocentos, o uso de modelos plásticos auxiliares estava entre as diversas etapas que compunham o longo processo de realização de uma pintura. Essa prática artística consistia na elaboração de estatuetas de argila ou cera que deveriam atuar como modelos para o pintor. Podiam ser vestidos ou não, uti
Publicado em: 2010
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14. Dando forma, vida e cor: a pintura de paisagens e a construção da identidade cultural no Recife (1922-1932)
The current research has by its purpose "to read" the pictorial production of Pernambuco in the decade of 20 (1922 - 1932) and understand how its possible meanings and elements were interpreted, manipulated and appreciated in the constructions produced by the painters in the point of local/national cultural identity. Among a variety of gender that passes by
Publicado em: 2010
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15. Hubert Duprat e a poética do revestimento
This research intended an analysis from the French plastic artist Hubert Duprats work, his Cases. Aiming to study questions that could help to understand contemporary art and its peculiarities, and wishing understanding a little more about the use of gold as plastic material in art through time, this contemporary artist was chosen and this work of his, which
Publicado em: 2009
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16. O SAGRADO E O PROFANO EM ANTÔNIO POTEIRO
Antônio Poteiro, the most representative artist in brazilian naïf art, presents a very rich theme in his paintings and sculptures, which includes: carnival, annunciation, nativity, indigene rituals, among others. Poteiro seems to search in the Bible, inspiration for his theme when he places in opposition sacred and profane, God and Evil, right and wrong. Q
Publicado em: 2009
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17. CARTOGRAFEMAS: fragmentos autobiográficos de um artista-professor.
This research is an autobiographical narrative that approaches the life career of the painter and professor Jorge Eiró. The research proposes to investigate the articulation between the activities performed and its implication in its process of formation. Incorporates as a plastic and conceptual reference the visual poetic of its work associated to its esth
Publicado em: 2009
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18. Robert Frank e a operação de montagem no campo do olhar
In the Polaroids series photographer Robert Frank creates performed situations and manipulates the two-dimensional surface in a post-production condition, building images with uncertain borders where emptiness, words, pictorial gestures, appropriations and acts are highlighted. Emerging through mounting resources, these procedures question certain intrinsic
Publicado em: 2009
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19. José Simeão Leal: escritos de uma trajetória
This research is related to temporality and singularity of the studied object which is based on historical data unveiled by means of remains and evidence, constituting the sources of a history from José Simeão Leals private personal archive considered in its whole dimension. Among the several primary sources which make up the archive, there are two thousan
Publicado em: 2009
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20. The surface, the object and the substance / A superficie, o objeto e a materia
What originated this research was maybe a certain disturbance, an uncomfortable situation. Situation that has no other cause but the question: is it possible to paint? If it is, how is it possible? I see painting as a necessary expressive means, and such as other means, it has its own issues and questionings. After a few death sentences and rebirths, attache
Publicado em: 2009
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21. Tramas comunicacionais e procedimentos de criação: por uma gramática do livro de artista
This dissertation approaches the communicational, plastic, and symbolic aspects of the processes of constructing an artists book, which is a hybrid artistic manifestation, an object hard to conceptualize, and therefore in need of critical attention in contemporary debate. The Process Critique articulated by Cecilia Salles, based on Charles Sanders Peirces se
Publicado em: 2009
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22. Pelos poros do mundo: uma leitura psicanalítica da poética de Flávia Ribeiro / Through the pores of the world : a psychoanalytic reading of Flávia Ribeiros poetic
Este trabalho é resultado de pesquisa de campo realizada com a artista plástica Flávia Ribeiro, abrangendo um período extenso de produção de sua obra. O objetivo é fazer uma leitura psicanalítica de sua poética, tecendo um fio condutor para a compreensão de trabalhos executados no decorrer de 10 anos, com materiais diferentes, dimensões extremamen
Publicado em: 2009
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23. Total comfort as a referential to the process of architectural project / O conforto pleno como referencial no processo de projeto arquitetonico
Never forsaking Art as the essence of Architecture, comfort in constructed environments is analyzed as the main implicit and explicit goal of any architectural project. Comfort is the explicit intention of architects in the visual-plastic aspects of their projects to the extent its impact on users behaviours is greater than other lesser architectural aspects
Publicado em: 2009
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24. Entre o giz e o pincel: um estudo sobre os percursos educacionais de artistas plásticas e professoras de artes
Este estudo foi desenvolvido na Linha de Pesquisa Educação, Cultura e Poder, vinculada ao eixo Educação, Cultura e Sociedade do Programa de Pós-Graduação Mestrado em Educação da Universidade Regional de Blumenau. A temática desta investigação são os percursos educacionais de artistas plásticas e professoras de Artes que atuam na dupla função,
Publicado em: 2009