Narrative In First Person
Mostrando 1-12 de 25 artigos, teses e dissertações.
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1. Versuch über die Ökonomie der Schuld. Das radikale Böse in der Darstellung von Holocausttätern: das Beispiel von Peter Schneiders Vati
Abstract This article discusses the question of guilt and penalty in the case of mass murderers as Josef Mengele. The abnormity of the crime, it seems, requires vengeance and not just a punishment restricted to the norms of human rights. In analogy to this assumption, fictional literature on this topic that does not satisfy the reader’s desire for revenge,
Pandaemonium ger.. Publicado em: 2018-08
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2. THE INTERTEXT OF HISTORY AND LITERATURE IN FACE OF AN ANGEL, A POSTMODERN/POST-NEOCOLONIAL NOVEL BY DENISE CHÁVEZ
As the title itself suggests, the present article aims at drawing a parallel between history and fiction in the novel Face of an Angel, a first person narrative by Mexican-American writer Denise Chávez. Therefore, it is the focus of the current essay to analyse how the intertextuality between Chávez's plot and the historical periods that work as backdrops
Ilha Desterro. Publicado em: 2014-12
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3. Contando história: a superação de uma situação traumática por meio da criatividade
In the present work, I tell the story known as "O Contador de Historias", which discusses the case of a boy who suffered trauma through abrupt ruptures that interrupted the flow of good experiences in the course of his maturation process. Besides losing significant experiences that facilitate life, the boy is also subjected to complex situations that demand
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 22/10/2012
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4. O narrador e seus duplos em Nenhum olhar e em Cemitério de pianos, de José Luís Peixoto / The narrator and his double in Nenhum olhar and Cemitério de pianos, by José Luís Peixoto
The main objective of this thesis is the investigation of narrative focus on novels Nenhum olhar and Cemitério de pianos, by José Luís Peixoto, in order to defend the hypothesis that the first-person narrator promotes the assumption of doubles. Both works bring characters to tell their story and in the process of narration, get in touch with themselves, a
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 24/09/2012
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5. A famÃlia no romance "Vida e morte de M. J. Gonzaga de SÃ". / The family in the novel "Vida e morte de M. J. Gonzaga de SÃ".
This study tries to follow the meanings that the family takes in the novel Vida e morte de M. J. Gonzaga de SÃ, by Lima Barreto. In the narrative the subjectivity of the characters raises questions about the worth of the family institution during times of bourgeois changes in the Brazilian history, the First Republic. The assessment concerning the family al
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/03/2012
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6. Prática da envolvência : possíveis contribuições para a elaboração de uma pedagogia em arte na EJA
This thesis discusses how the practice of teaching art classes for young, adults and elderly of the Initial and Final Totalities from the Centro Municipal de Educação dos Trabalhadores Paulo Freire (CMET Paulo Freire), an educational institution linked to the City Education Department of Porto Alegre, contributes to the development of a pedagogy for adult
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2012
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7. O insólito em "A confissão de Lúcio" de Mario de Sá-Carneiro
The purpose of this dissertation is to analyze A confissão de Lúcio (Lucio‟s confession), a narrative by Mário de Sá-Carneiro. This study will be based on the theory of the double and the fantastic applied in the process of the narrative construction. An investigation of the role of the first-person narrator in this novel is also aimed at, because,
Publicado em: 2010
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8. As metamorfoses do triângulo: estruturas de relacionamento amoroso nos romances de Marguerite Duras / The metamorphosis of the triangle: structures of loving relationship in Marguerite Duras novels
The objective of this thesis is to study, firstly, the transformations of the loving triangle in relationship in Marguerite Duras novels that portrays the marital crisis: Le Marin de Gibraltar (1952), Les Petits chevaux de Tarquinia (1953), Moderato Cantabile (1958), Dix Heures et demie du soir en été (1960) Le Ravissement de Lol V. Stein (1964). These nov
Publicado em: 2010
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9. Mito e utopia em A Caverna, de José Saramago: o despertar da consciência
This research comes as a challenge made the criticism that, at one point, refers to the novel The Cave, by Jose Saramago, as a lower reading and pamphlet. The writer, in turn, engaged in intellectual discussions and presents on Social Forums, corroborates the statements to sharpen the criticism. Motivated by this clash of ideas, we began the search with a ti
Publicado em: 2010
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10. MeditaÃÃo AutobiogrÃfica Sobre A Arte De Viver De Sri Sri Ravi Shankar: Aventura, FormaÃÃo, Sabedoria E Espiritualidade / Autobiographical Meditation About The Art Of Living Of Sri Sri Ravi Shankar: Adventure, Training, Wisdom And Spirituality
This is an autobiographical research, which was originated in the search for my inner self at a moment of personal and professional crisis. I perform an academic adventure experiencing new ways of autobiographical construction. My experiences in the Art of Living of Sri Sri Ravi Shankar â a yoga training program, experiential, of self-knowledge, of the pote
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 30/01/2009
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11. THE VOICE OF THE OTHER IN CONTEMPORARY BRAZILIAN CINEMA: THE PROBLEM WITH THE FIRST PERSON / A VOZ DO OUTRO NO CINEMA BRASILEIRO CONTEMPORÂNEO: A QUESTÃO DA PRIMEIRA PESSOA
The goal of the dissertation is to investigate the construction of narratives in the first person in contemporary Brazilian cinema, considering the criticisms made in the 1970¿s against the Voice of Authority and the use of the third person, predominately in Cinema Novo - the fruit of a period in which the arts traveled in consonance with a collective and e
Publicado em: 2009
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12. Um narrador no limite: o caminho da primeira pessoa beckettiana das nouvelles aos textes pour rien / A narrator in the limit: the way of first person of Beckett from nouvelles to textes pour rien
O foco dessa dissertação é o estudo do narrador de uma importante fase da obra em prosa de Samuel Beckett. O período escolhido inicia-se com as novelas Premier Amour (1970), Lexpulsé, Le calmant e La fin (1955), primeiros textos em francês do autor, e encerra-se com a obra Textes pour rien (1955), o que abrange a produção em prosa de Beckett entre 19
Publicado em: 2009