Musical Performing
Mostrando 1-12 de 17 artigos, teses e dissertações.
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1. Music performance anxiety: perceived causes, coping strategies and clinical profiles of Brazilian musicians
Resumo Introdução Ansiedade de performance musical (APM) é definida como uma condição de apreensão duradoura e intensa, associada ao desempenho musical em público. Em níveis extremos é prejudicial à carreira e qualidade de vida do músico. Objetiva-se descrever o perfil clínico, as causas percebidas e estratégias de enfrentamento da APM. Méto
Trends Psychiatry Psychother.. Publicado em: 20/01/2020
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2. Uma analise musical do Batuque da suite orquestral Reisado do Pastoreio de Oscar Lorenzo Fernandez
This research had the main object to present a possibility of performing the Brazilian symphonic music formed by afro-Brazilian influences, very little explorered by our performers. For that, was chosen particularly the "Batuque" from Suite "Reisado do Pastoreio" composed by Oscar Lorenzo Fernandez, one of the Brazilian woks full of musical richness and reco
Publicado em: 2009
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3. A saxophone analysis of quartets by Carlos Malta : the educator, the composer and the musician / Uma analise dos quartetos de saxofone de Carlos Malta : o educador, o compositor e o instrumentista
This study tries to study and understand the way that the Carlos Malta s actuation like composer /arranger, educational and musician is present in his play. We take like object of analysis the quartets of saxophones Ponto de Bala and Paradindonde, composed by Carlos Malta and Baião de Lacan and Catenga, by Guinga and Hermeto Pascoal respectively, arranged a
Publicado em: 2009
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4. Intonational strategies in ensemble singing
The aim of the research was to find out about intonational strategies in the performance situation. The singing voice was chosen as the appropriate subject for experimental work, due to its superior capability to define pitch as compared to other musical instruments. Ensemble singing was also required, as harmonic context may be important in the clarificatio
Publicado em: 2009
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5. O frevo-de-rua no Recife : características socio-histórico-musicais e um esboço estilístico-interpretativo.
This study offers characteristics about the performing processes of the Frevo-de-Rua by trumpet players of Recife, Brazil. This characterization is done using the survey techniques with the trumpet players and by interviews with some of the most famous composers and musicians of this musical genre. The main objective is to verify the existence of replicated
Publicado em: 2008
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6. Da leitura de partituras musicais à transcrição/arranjo para conjuntos de câmara.
The practice of transcribing/arranging piano scores into chamber music compositions for young ensemble performing students was not been done in class, in the Musical Training Courses I and II or in the Advanced Music Course at the Escola de Música e Belas Artes do Paraná (EMBAP Brazil). The ideal of providing a chamber music experience to young instrument
Publicado em: 2008
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7. A PRESENÇA DE JEAN FRANÇOIS DOULIEZ NA MÚSICA EM GOIÁS / The presence de Jean François Douliez in music in Goiás
This thesis focuses on the life trajectory of the Belgian conductor Jean François Douliez, specifically the period in which he lived in Goiania, where, identifying himself with the cultural and musical needs, he served in a competent and multifaceted way, as an educator, arranger, composer, conductor and interpreter. Based on documents obtained in public an
Publicado em: 2008
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8. O Ritmo musical da cena teatral: a dinâmica do espetáculo de teatro
The aim of the present research is the appreciation of the musical aspects which are concerned to theatrical practice, specifically the notions of "rhythm" and "dynamics" (as this one contributes to the formation of rhythm) and their pervading, often in a intuitive way, the putting-on-stage process. Initially gathering definitions of such concepts in the dis
Publicado em: 2008
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9. Variáveis do sistema nervoso envolvidas no processo de aprendizagem de uma tarefa cognitivo-motora em violonistas antes e após prática deliberada
Esta tese apresenta uma revisão relativa às questões cognitivas de processamento de informações envolvidas na aprendizagem motora, para consolidar pesquisa empírica a esse respeito. Baseado em fontes bibliográficas, apresenta-se o contexto histórico da cultura educacional brasileira da pesquisa em movimento humano. Propõe-se metodologia de observaç
Publicado em: 2008
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10. Design of sound diffusers by serial procedure : acoustical adequacy of small rooms to musical performance and listening / Design de difusores sonoros a partir de processo serial : adequação acustica de pequenas salas a performance e audição musical
This study is aimed at acoustic comfort solutions for music listening and performance by mainly considering psychoacoustic aspects related to subjective listening of musicians and specialists concerned with this field of knowledge. Starting from acoustic evaluation criteria of music rooms (opera houses and concert halls) in Beranek and principles of design a
Publicado em: 2008
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11. A fiddle forgotten : Jose Eduardo Gramani and the revival of the Brazilian rabeca : postmodernism and performance practice / O violino violado : rabeca, hibridismo e desvio do metodo nas praticas interpretativas contemporaneas : tradição e inovação em Jose Eduardo Gramani
This study examines changes in ways of performing music that took place in the second half of the 20th century. As an example and reflection of these changes, it takes the opus of José Eduardo Gramani and his research on the Brazilian rabeca and the context of "historically informed performance" (HIP). My point of reference is Adorno s essay Bach Defended a
Publicado em: 2008
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12. Poética do pop: a música como recurso narrativo no cinema contemporâneo. / Pop poetic: music as a narrative device in contemporary cinema.
This dissertation hereby aims at discussing about pop music functions in the filmic narrative. After all, pop music operates a variety of roles in the cinema universe both as building a film meaning and addressing it to a specific audience which uses music as a cultural device, and as a fundamental element to the own filmic narrative, performing some action,
Publicado em: 2007