Musical Experiences
Mostrando 13-24 de 45 artigos, teses e dissertações.
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13. A motivação dos alunos para continuar seus estudos em música
This research is about motivation to learn music. Its general aim was to investigate the interaction between individual and environmental factors which motivate students to continue their studies in music outside school. According to literature, individual factors refer to students¿ beliefs, perceptions and personal characteristics, whilst environmental fac
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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14. Theater sound design in discussion: Porto Alegre sound designers¿ experiences / A trilha sonora teatral em pauta : experiências de criadores de trilha sonora em Porto Alegre
A pesquisa propõe a construção de um possível conceito de trilha sonora no teatro, e a análise das funções dos profissionais responsáveis por ela, bem como das dificuldades encontradas por esses profissionais para a efetiva realização do seu ofício, em particular no que se refere ao seu papel criador e não apenas executor. Através de entrevistas
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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15. INTERVENÇÕES LÚDICO-MUSICAIS FRENTE AO ESTRESSE DE CRIANÇAS ACOLHIDAS VÍTIMAS DE VIOLÊNCIA DOMÉSTICA
This study investigates the stress level of foster children victims of domestic violence, before and after ludic-musical interventions in group, through an exploratory descriptive research of quali-quantitative character. Initially, the institution population of 100 foster children is characterized by: their socio-demographic profile, type of violence and th
Publicado em: 2011
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16. Como se fora brincadeira de roda: a ciranda da ludopoiese para uma educação musical humanescente
The present work concerns an auto-ethnographic study based on life experiences and reflections of an educator at Escola Viva Preschool and Elementary-Middle School, located in the city center of Natal, Rio Grande do Norte. As a cognitive model of operation, we use the metaphor of the Circle Dance. The objective of this study is to identify, interpret and des
Publicado em: 2010
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17. Sight-singing : a way for the construction of audiation for the professional musician / Leitura cantada : um caminho para construção da audiação no músico profissional
This research is an exploratory study of qualitative nature, and aims to examine the relevance of sight-singing and audiation in the life of a professional musician. Initially, two possible views are presented for the study of sight-singing: historical and psychological. The former comprises a summarized historical review of the systematization of traditiona
Publicado em: 2010
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18. THE MUSIC IN THE PEDAGOGY PRE-SERVICE TRAINING: A RESEARCH WITH PRE-SERVICE TEACHERS FROM UFSM / A MÚSICA NO ESTÁGIO SUPERVISIONADO DA PEDAGOGIA: UMA PESQUISA COM ESTAGIÁRIAS DA UFSM
The current dissertation is articulated to the research line Educação e Artes (LP4) from Programa de Pós-Graduação em Educação, from Universidade Federal de Santa Maria (PPGE/UFSM) and the study group Formação, Ação e Pesquisa em Educação Musical (FAPEM). As general aim, it sought to comprehend how the pre-service teachers from Pedagogy course/U
Publicado em: 2010
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19. Aluno e professor no contexto de aulas de canto : a voz e a emoção para além do dom e da técnica
Taking into account the teaching-learning process of singing, we intend to investigate in this work, how the integration arises between technical and musical contents with emotions and experiences in the class environment as well as its implications in students progress. We focused on the following aspects: to know the basis of the organization of the teachi
Publicado em: 2009
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20. Dança e música : por uma educação humanizadora em prática musical coletiva
This Masters Dissertation introduces a dialogue between music and dance languages in a collective music practice context, more specifically in a community orchestra. With this purpose, the researcher, dancer and dance educator shares her own experiences in the field of Music Education and discusses the interaction developed with some members of the Experimen
Publicado em: 2009
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21. Movement, Breathing and Singing: the performance of the body on musical creation / Movimento, Respiração e Canto: a performance do corpo na criação musical
This study has as subject of reflection and practical research the experimental process Movement, Breathing and Singing. This practice is based on the Perceptible Breath by Ilse Middendorf. The proposal of experiencing breath based on the fundamentals of Middendorfs practice enables, along with other strategies, a certain performance of the body, composing t
Publicado em: 2009
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22. Construção do conhecimento e narrativa : sempre à terceira margem / Knowledge construction and narrative : always to the third bank
The construction of the narrative as parallel, point of inflection and articulation with processes of personal construction of knowledge and changes in relationships. Taking different narratives, literary, philosophical, theatrical and musical mainly with them, from them, moving away from them sometimes, delineate the personal narrative to the treatment: one
Publicado em: 2009
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23. El Teatro Campesino: formal experiences and political thoughts on stage / El Teatro Campesino: Experiências formais e reflexões políticas em cena
This research analyses the work of El Teatro Campesino, a theater group founded in 1965 in California, in order to perform agit-prop plays, called actos. The actos aimed at discussing themes which were relevant to rural chicano society. Two collectivelly created actos are analyzed in this thesis: Quinta Temporada in which the central theme is the strikes org
Publicado em: 2009
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24. "Truce um triângulo no matulão [...] xote, maracatu e baião": a musicalidade de Luiz Gonzaga na construção da "identidade" nordestina
The discussion about the Northeast and the political division of the country regionalization take part in the pathways institutors of history dynamics as a debate that goes beyond all discourses and power circles present in academic, politic, artistic, and literary points of view. This context has provided the structural elements of what can be called the in
Publicado em: 2009