Music Notation
Mostrando 1-12 de 13 artigos, teses e dissertações.
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1. Sight-singing : a way for the construction of audiation for the professional musician / Leitura cantada : um caminho para construção da audiação no músico profissional
This research is an exploratory study of qualitative nature, and aims to examine the relevance of sight-singing and audiation in the life of a professional musician. Initially, two possible views are presented for the study of sight-singing: historical and psychological. The former comprises a summarized historical review of the systematization of traditiona
Publicado em: 2010
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2. Estudo comparativo entre edições práticas e edições urtext de sonatas para piano de Joseph Haydn
This study investigated practical and Urtext editions of the piano sonatas by Joseph Haydn (1732-1809), departing from differences in the notation and interpretation of articulations and ornaments. Chapter I presents the review of literature on notation and instrument interpretation in the eighteenth century; Chapter II presents the piano sonatas by Haydn an
Publicado em: 2009
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3. Informática educativa e educação musical : possibilidades pedagógicas do software finale no ensino do solfejo
The present dissertation discusses the challenges of teaching and learning solmization by means of the software Finale. This work recounts some experiences and results of a research conducted during the years 2007 and 2008 as they happened in the classroom, where a computer software for editing scores was used to facilitate, embody and serve as tool for lear
Publicado em: 2009
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4. Da indeterminação a invariancia : considerações sobre morfologia musical a partir de peças de carater aberto / From indeterminacy to invariance : considerations about musical pmorphology from opera form works
The aim of this research was to propose a transference of the indeterminacy issue to the musical morphology field. By evaluating musical works classified as indeterminated in respect of their openess to varied interpretations, we realized that the definition of a musical work in the terms of flexibility or strictness highly depends on how its morphological c
Publicado em: 2009
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5. Brazilian orchestral percussion: editorial and interpretative problems / Percussão orquestral brasileira: problemas editoriais e interpretativos
The objective of this dissertation is to help solve some of the interpretation problems which arise in the percussion parts of Brazilian symphonic music. Rich in timbre and rhythm, these parts may cause doubts which stem from the nomenclature of the instruments as well as editorial or technical issues. A number of works by different composers were selected t
Publicado em: 2009
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6. O orgão tubular : guia pratico sobre seu idiomatico com ilustrações dos Quadros de uma Exposição de Moussorgski / The pipe organ s exuberance : a practical guide of its idiomatic writing with illustrations from Moussorgsky s "Pictures at an Exhibition"
Aiming at exposing the organ, an instrument distant from the Brazilian audiences, this dissertation will deal with practical information for consulting the organ s physical characteristics and its expressive qualities. Due to little exposure, and scarce production of national works for this instrument, together with scarce literature on this subject in Portu
Publicado em: 2008
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7. A viola con anima: uma construção simbólica / A viola con anima: uma construção simbólica
The historical researches on the Brazilian violas were limited by textual and iconographical references to the musical instrument and its musical production, particularly from the second half of the 17th century to the beginnings of the 18th, except from a small reference found in Cancioneiro de Músicas Populares by Cesar das Neves, published first in 1893.
Publicado em: 2008
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8. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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9. Paradigma de equivalência de estímulos no ensino de leitura de seqüências de notas musicais
The present study investigated a procedure for teaching music notation for beginners based on the stimulus equivalence paradigm. Musical stimuli were sequences of three notes presented as sounds (A), notation in Treble Clef (B), notation in Bass Clef (C), and musical keyboard picture (D). Four undergraduate students participated in two experimental phases co
Publicado em: 2007
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10. "O Deus, eu quero cantar e tocar" : a musica e os instrumentos musicais no salterio davidico
The purpose of this work is to study the characteristics of the Psalm music made by the levites, the ones responsable for the celebration of the cult at the Second Jerusalem Temple; to show which musical instruments they used, their characteristics and origins; and also the musical notation developed in that community and its music function
Publicado em: 2006
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11. Leitura musical na ponta dos dedos : caminhos e desafios do ensino de musicografia Braille na perspectiva de alunos e professores / Music finger reading
O presente estudo foi motivado pela experiência pessoal de sua autora,musicista com deficiência visual. Ele aborda aspectos referentes ao ensino da Musicografia Braille, que por sua vez, consiste na notação musical criada por Louis Braille para uso de pessoas cegas. A partir de um enfoque qualitativo, buscou-se investigar a percepção de estudantes de M
Publicado em: 2006
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12. In(ve)stigating rhythm : the importance of rhytmical awareness percussion and its transposition to the scene / In(ve)stigando o ritmo : a importancia da conscientização ritmica atravez da percussão e sua transposição para a cena
"In(ve)stigating Rhythm: The Importance of Rhythmical Awareness Through Percussion and its Transposition to the Scene" is a piece of work that seeks to stress the importance of the study of rhythm as a useful research "tool" for the performer in its relation with the scene, linking the percussive language with the body language. Working from percussion rhyth
Publicado em: 2004