Literary Semiotics
Mostrando 1-12 de 22 artigos, teses e dissertações.
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1. Teoria russa e semiótica da cultura: história e perspectivas
RESUMO A Escola de Tártu-Moscou aceitou, como atitude profissional, reconstruir a tradição e ligar-se com as realizações - esquecidas ou reprimidas cultural e cientificamente - das primeiras décadas do séc. XX. Uma missão de Lotman como um de seus líderes foi conhecer e mediar a herança esquecida. Na situação de censura muitos contatos entre Lotm
Bakhtiniana, Rev. Estud. Discurso. Publicado em: 14/11/2019
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2. Iuri Lótman e a semiótica do teatro
RESUMO O semioticista Iuri Lótman escreveu contribuições decisivas no campo da semiótica da literatura. No entanto, ao longo dos anos 70 passa a ampliar seu universo de interesses para além do texto literário, trazendo contribuições para os estudos do cinema, das artes plásticas e mesmo das normas de etiqueta da nobreza russa. Neste artigo pretendo
Bakhtiniana, Rev. Estud. Discurso. Publicado em: 05/08/2019
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3. A performance poética do ator-MC
Twelve years ago, Núcleo Bartolomeu de Depoimentos an artistic collective based in São Paulo - started a research which came from the dialogue of two kinds languages: epic theater (more precisely the one broadcasted by german playwright Bertolt Brecht) and hip-hop (urban popular culture born in the early 70s in the United States), giving rise to a mixed la
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 04/12/2012
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4. O verbal e o não-verbal em manual de pintura e caligrafia, de José Saramago : contribuições da semiótica para a fruição da leitura
In this work, we aim to present an intersemiotic reading about the José Saramagos novel Manual of painting and calligraphy to contribute to the construction of meaning of romance. This reading resulted of analyses and interpretations of the romantic character text consti-tuted by the verbal and non-verbal languages, in other words, of the narrative itself
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 18/10/2010
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5. Not "anything goes" : Umberto Eco s theory of interpretative cooperation and the limits of interpretation / Nem tudo vale : teoria da cooperação interpretativa e dos limites da interpretação segundo Umberto Eco
The thesis deals with the theory of interpretative co-operation and the theory of the limits of interpretation within Umberto Eco s theoretical works. Inside its four chapters the thesis aims to cover Eco s writings, by means of the approach of his theory of the codes (from the 1960 s and the 1970 s) and his theory of sign production, delineated in the books
Publicado em: 2010
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6. Tecendo o estético e o sensível através do bordado na literatura infantil brasileira / Weaving the aesthetic and sensitive through the embroidery on Brazilian childrens literature
Childrens literature brings two different concerns: the story told by the verbal text, and the one brought by the images of the book cover and of the book. The visual text can awake the senses by an aesthetic experience while what is written on the book can take the reader to a comprehension of the world and of the cultural and moral values. The learning is
Publicado em: 2010
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7. The lyrical opera as a tool for teaching Italian as a foreign language: theories and practices / A ópera lírica como instrumento de ensino de italiano LE: teorias e práticas
Lyrical opera can be an excellent teaching material for use at all levels of language education, not only because of its unquestionable cultural, historical and social value, but mainly for amalgamating musical, theatrical and literary languages, thereby forming a productive tool for teaching the Italian language. Based on the precepts of semiotic analysis,
Publicado em: 2010
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8. A dúvida de Machado de Assis: uma gramática da possibilidade / The doubt in Machado of Assis: a grammar of the possibility
O objetivo deste estudo é a identificação dos mecanismos responsáveis pela construção da imagem da dúvida na subjetividade da prosa breve machadiana, por meio da análise de alguns contos do escritor. Busca o efeito de sentido dúvida em suas prováveis recorrências para mapear aquilo que, hipoteticamente, chamamos gramática da possibilidade em Mach
Publicado em: 2009
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9. UMA VISÃO SEMIÓTICA DOS VALORES DA CULTURA CAIPIRA MANIFESTADOS NAS LETRAS DE MÚSICAS DE RAIZ MOGI DAS CRUZES 2007
This work deals with a semiotic inquiry about values of the caipira culture, present in the lyrics of root music. We analyzed texts of the Brazilian country literature, with nostalgia, sentimentalism, values and ideology, which, like in every speech produced in verbal communication, holds the cultural ideology to which they are from. Current globalization pr
Publicado em: 2009
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10. Landscape discourse in Luís Martins: imaginary geography in the chronicle of São Paulo / Discurso da paisagem em Luís Martins: imaginário geográfico nas crônicas de São Paulo
This work proposes an approach between Geography and Literature. Basically interdisciplinary, the work presents the landscape as a converging element of these two disciplines. Under the geographical aspect, studies on the urban landscape of São Paulo and its transformations during the twentieth century have been conducted. Special attention has been given t
Publicado em: 2009
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11. Zanguési, de Velimír Khlébnikov: a utopia da obra de arte como síntese perfeita do universo / Zanguézi, by Velimír Khlébnikov: the utopia of the artwork as the perfect synthesis of the universe
The present study is divided in two parts which comprise two objectives with the same level of importance: the first part is a complete annotated translation of Zanguézi, literary text of the Russian poet Velimír Khlébnikov whereas the second is an analytical review of the same work. As a primary objective, this study brings for the first time to Brazilia
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 15/05/2008
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12. A experiência dos limites na poética de Paulo Leminski / The experience of limits in the poetics of Paulo Leminski
The poetry of Paulo Leminski (1944-89), written in Brazil between the 1960s and the 1980s, displays a constant attitude of experimentation that opens up possibilities for questioning the relationships between thought, world and language. By retracing the development of his career as a writer and analyzing the ways in which he created his language games, I se
Publicado em: 2008