Libretto
Mostrando 1-5 de 5 artigos, teses e dissertações.
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1. Sandro, opera by Murillo Furtado : a study of its musical direction and historical recovery / Opera "Sandro" de Murillo Furtado : estudo para uma direção musical e seu resgate historico
The opera Sandro by Murillo Furtado (1873-1958) holds a privileged and prominent position in the Rio Grande do Sul musical scene for having being the first opera written and premiered by a native composer in his home State of Rio Grande do Sul. It is the second of two operas written between the years 1901 and 1902 under strong influence of Verismo School. It
Publicado em: 2010
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2. Il Travatore and the belcantist libretto / Il Trovatore e o libreto belcantista
Opera has always had, since its first years, a great importance to society, as a source of leisure and as a transmitter of the thoughts of a time. And the last characteristic is the one which Giuseppe Mazzini (1805-1872), the most important theorist of Risorgimento, considered essential: opera would be able to pass to its listeners the risorgimentali ideals.
Publicado em: 2009
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3. A voz feminina na ópera romântica Aída de Giuseppe Verdi
The present work centralizes the political practice of Giuseppe Verdi and the analysis of the feminine voices in the Romantic Opera Aida. Through music and an exemplar personal conduct, the nationalist composer has expressed his own political opinions with his operas, which made him a symbol of the conquest of independence and national unity, a period known
Publicado em: 2008
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4. A máscara da ópera em Dom Casmurro
Este estudo tem por objetivo investigar a representação da ópera no discurso de D.Casmurro, como máscara de um eu, que se desdobra em três personas: a do autor-casmurro, a do narrador e a da personagem Bentinho. Tal desdobramento cria uma correlação com a estrutura tripartite do gênero operístico, cuja autoria, também se divide entre o dramaturgo,
Publicado em: 2006
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5. Concerto Barroco : a construção de uma dramaturgia da cena
The Brazilian culture and character are born under influence of two powerful mechanisms: religion and theater. The first encounter of the Portuguese navigators and the native Indians was already an spectacle. First of all, a mass celebrated in Latin in a scenery near the Paradise, straight after a we1come party offered by the Indians, with music and dance. A
Publicado em: 2004