Good Neighbor Policy
Mostrando 1-5 de 5 artigos, teses e dissertações.
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1. FILM NARRATIVES CROSSING TIME AND SPACE IN THE AMERICAS: A COMPARATIVE PERSPECTIVE OF LA JAULA DE ORO (2013) AND EL NORTE (1983); RIO (2011) AND THE THREE CABALLEROS (1944)
Abstract The essay discusses how frequent migratory currents of certain narratives and ideas within the Americas have formed clusters of knowledge and stimulated audiences’ imagination about specific cultures or nations. The essay presents the process of narrative continuity and displacement in recent films about immigration and travel within the Americas,
Ilha do Desterro. Publicado em: 2022
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2. The challenge from the periphery: Latin America’s New Deals and the shaping of Liberal Internationalism in FDR’s Era
Abstract FDR’s policies, in particular the New Deal, became a sort of global brand, and created a transnational space of discussion. Many in the periphery, in particular in Latin America, appropriated the notion and labeled their own proposals as their own New Deals. These proposals produced an alternative international cooperative order, not necessarily t
Rev. bras. polít. int.. Publicado em: 03/12/2018
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3. 10 - From the Good Neighbor policy to the Iron Curtain: politics and cinema in Brazil-US relations in the mid-20th century
Parte do livro:Brazil - United States relations: XX and XXI centuries
Autor(es): Valim, Alexandre Busko
EDUEM. Publicado em: 2013
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4. Traduzindo o Brazil: o país mestiço de Jorge Amado / Translating Brazil: Jorge Amados mestizo country
The first book by Jorge Amado in English translation was published in the United States in 1945 by Alfred A. Knopf Publishers, under the auspices of the U.S. State Department, who sponsored a cultural interchange program as part of president Roosevelts the Good Neighbor Policy. Translated literature was seen, at the time, as a way of understanding the other.
Publicado em: 2009
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5. O CINEMA DISNEY AGENTE DA HISTÓRIA: A CULTURA NAS RELAÇÕES INTERNACIONAIS ENTRE ESTADOS UNIDOS, BRASIL E ARGENTINA (1942-1945) / DISNEY MOVIES AS HISTORYS AGENTS: CULTURE IN THE INTERNATIONAL RELATIONSHIPS AMONG THE UNITED STATES, BRAZIL AND ARGENTINA (1942-1945)
Conceber um filme como documento e instrumento da história é importante nos tempos de hoje em que as imagens são tratadas como fundamentais na aceitação e na recepção de determinados propósitos sejam eles em nível de docência ou no cotidiano das pessoas. Esta dissertação pretende estudar os vínculos representativos das políticas de aproximaçã
Publicado em: 2008