Feature Film
Mostrando 1-12 de 30 artigos, teses e dissertações.
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1. PMMA-SiO2 Organic-Inorganic Hybrid Coating Application to Ti-6Al-4V Alloy Prepared through the Sol-Gel Method
Siloxane-poly(methyl methacrylate) (PMMA) hybrid was synthesized based on the sol-gel method and applied to Ti-6Al-4V through dip-coating. The structural feature of the hybrid was subjected to Fourier-transform infrared spectroscopy (FTIR) and thermogravimetric analysis (TG); its morphological properties were analyzed through scanning electron microscope (SE
J. Braz. Chem. Soc.. Publicado em: 2020-02
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2. O sound design de Alan Splet para David Lynch sob a perspectiva do horror fílmico
Resumo O sound designer americano Alan Splet (1939-1994) participou da produção de 25 filmes. Com o diretor David Lynch, criou efeitos sonoros e ambiências mais livres de vínculos com a verossimilhança. Eles trabalharam juntos no curta-metragem The grandmother (1970) e nos longas-metragens Eraserhead (1977), O homem elefante (The elephant man, 1980), Du
Galáxia (São Paulo). Publicado em: 07/11/2019
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3. Optical and Electrical Properties of (002)-Oriented ZnO Films Prepared on Amorphous Substrates by Sol-Gel Spin-Coating
Zinc oxide (ZnO) films were prepared on amorphous quartz substrates by sol-gel spin-coating using Zn(CH3COO)2•2H2O precursor. Isopropanol, ethanol and 2-methoxyethanol were used as solvents. The film drying temperature was kept constant at 200 ºC and the annealing temperature was varied from 400 to 800 ºC. Highly transparent and (002)-oriented hexagonal
Mat. Res.. Publicado em: 19/12/2016
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4. Resisting Invasions: Indigenous Peoples and Land Rights Battles in Mabo and Terra Vermelha
Abstract: This article examines two feature films, focusing on the link between Indigenous cinema, environmental preservation and land rights. The first film is Mabo (2012) directed by Aboriginal filmmaker Rachel Perkins. It centres on a man's legal battle for recognition of Indigenous land ownership in Australia. The second film is Terra Vermelha (Birdwatch
Ilha Desterro. Publicado em: 2016-08
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5. South Park: (des)construção iconoclasta das celebridades
The reason of this research is studying the contemporary and social construction of the celebrities as well as the role that it exerts at the mediatic civilization. Therefore we focused on the American TV show South Park, an animation that is dedicated at caricature them. We worked with the hypothesis that the idol is a simulacrum that doesnt resist to humor
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 08/10/2012
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6. A representação da subjetividade no longa-metragem Joana / The representation of subjectivity in the feature film Joana
O argumento cinematográfico para um filme de longa-metragem ficcional é tema central da presente dissertação. Para tal, foi realizada uma pesquisa baseada em dois eixos. O primeiro, o tema do filme (a relação entre os universos feminino e masculino na faixa de meia-idade no Brasil urbano contemporâneo); o segundo, a abordagem cinematográfica (represe
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 14/10/2011
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7. Aplicabilidade de uma película de celulose cristalina no tratamento de feridas cutâneas induzidas em ratos wistar / Applicability of a film in natural biological treatment of skin wounds induced in Wistar rats
Wound healing aims to restore the morphological and functional integrity of the skin. This study evaluates by means of clinical and histologic healing process of skin wounds induced experimentally in rats using a film crystalline cellulose Veloderm . Thirty-two rats were divided into two groups: control group (CG) wounds treated with a solution of sodium chl
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 20/06/2011
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8. O eu e o outro na representação fílmica da favela: uma análise de 5X Favela: Agora por Nós Mesmos e Cidade de Deus / Self and other filmic representation of the slum: an analysis of 5X Favela: Now for Ourselves and City of God
This study makes a analyses of feature-length films 5X Favela Agora por nós mesmos (2010), Cinco Vezes Favela (1962) and Cidade de Deus (2002) in order to verify if there are differences between the way different social groups see one another. Those films represent the favelas (slums) from two perspectives: by the outsiders‟ and the insiders‟ po
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 30/05/2011
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9. O SensÃvel da Imagem: Sensorialidade, Corpo e Narrativa no Cinema ContemporÃneo da Ãsia / The Sensible of Image: Sensoriality, Body and Narrative on Asian Contemporary Cinema
Introducing as a theme the relation between sensoriality, body and narrative at the recent cinema production released in Asian countries, as Thai, Taiwan and Japan, this paper searches to investigate how movies as Tropical Malady (Sud Pralad, 2004), by Apichatpong Weerasethakul; Goodbye, Dragon Inn (Bu San, 2003), by Tsai Ming-Liang; Cafà LumiÃre (KÃhà J
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 16/06/2010
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10. Estratégias da direção: processos de realização em longas metragens brasileiros contemporâneos / Film direction strategies: filmmaking processes in contemporary brazilian feature films.
Esta pesquisa procura entender o trabalho do diretor cinematográfico brasileiro contemporâneo a partir da reconstrução do processo criativo de cinco longas-metragens realizados nos últimos anos e a compreensão das estratégias escolhidas pelos diretores para construir sua obra. Os filmes observados são: Antônia" (Tata Amaral, 2006), Cama de Gato (Ale
Publicado em: 2010
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11. Educação, memória e cinema: um estudo comparativo das representações sociais da escola em "Os incompreendidos" e em "Machuca" / Education, memory and cinema: a comparative study about the social representations of the school in The 400 blows and in Machuca
This dissertation aims verify what are the social representations about the school, through the comparison between the films The 400 blows (1959) and Machuca (2004). For this purpose, was adopted the analyze of narrative structure of fictional feature film, knowing that it is the cinematographic product more accessible for a wider audience. It is necessary e
Publicado em: 2010
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12. Hiroshima Mon Amour e a recepção da critica no Brasil / Hiroshima Mon Amour and the critical reception in Brazil
The first Alain Resnais feature film, Hiroshima Mon Amour was issued in commercial circuit in Brazil in 1960, the year following their debut in France. The film has caused great impact on the specialized criticism motivating many articles in newspapers and magazines. This research embrace the abundant material produced by the Brazilian critic, which was moti
Publicado em: 2009