Editing Film
Mostrando 1-12 de 14 artigos, teses e dissertações.
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1. O sound design de Alan Splet para David Lynch sob a perspectiva do horror fílmico
Resumo O sound designer americano Alan Splet (1939-1994) participou da produção de 25 filmes. Com o diretor David Lynch, criou efeitos sonoros e ambiências mais livres de vínculos com a verossimilhança. Eles trabalharam juntos no curta-metragem The grandmother (1970) e nos longas-metragens Eraserhead (1977), O homem elefante (The elephant man, 1980), Du
Galáxia (São Paulo). Publicado em: 07/11/2019
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2. Film as shared ethnography: in the field, in the editing suite, on the air
Analisamos neste artigo um projeto de realização etnográfica de produtos audiovisuais e hipermidiáticos iniciado em 2009, com o Mapa das Artes de Cidade Tiradentes, e concluído em 2011, com o lançamento do filme A arte e a rua. O projeto teve como pressuposto o conceito de Jean Rouch de antropologia compartilhada, mas possui suas especificidades, uma v
Vibrant, Virtual Braz. Anthr.. Publicado em: 2012-12
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3. Passado a limpo : a caracterização do protagonista e a representação da história em " O sobrado", de Erico Verissimo, e "Netto perde sua alma", de Tabajara Ruas, e em suas adaptações cinematográficas
The first part of this study analyzes, using a comparative approach, "O Sobrado", a chapter from the historical novel from the State of Rio Grande do Sul entitled O Continente (1949), itself part of the trilogy O tempo e o vento, and its film adaptation, O Sobrado (1956), aiming at establishing relations between the characterization of the main character, Li
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2011
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4. A evolução tecnológica como interfência na linguagem televisual : o percurso da edição no telejornalismo da TV Coroados
This paper investigates the evolution of the technology used in the edition of TV newcasts aired by Coroados TV, one of the oldest stations in the interior of Brazil and an affiliate of Rede Globo de Televisão. To accomplish this goal, this paper studies the three most important phases of the evolution the period of 16 mm film, the use of magnetic tape a
Publicado em: 2010
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5. The form dramaturgy of electronics digitals tricks-films in Peter Greenaway / A dramaturgia da forma das trucagens eletrônicas digitais em Peter Greenaway
Study focused on electronic digital trick-film used by Peter Greenaway from the80s, under the traditions of film and audiovisual technology developments. The concept is its technical and artistic interventions in the field of special effects and trick-films. The analysis method used combines the form dramaturgy, provided by Sergei Eisenstein with the artisti
Publicado em: 2009
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6. Entre cinema e videoarte : procedimentos disjuntivos de montagem e narrativas sensoriais
The present research is the analysis of the procedures involved in creating video works and video installations produced between 2004 and 2008. The appreciation of sensory aspects of the image - the descriptions of space and landscape that appear in several videos of that period - transforms the relationships between space and time in these narratives, which
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2009
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7. Filme e memória: devires das imagens de arquivo
This research seeks to reflect the thought developed by the images departed from the film Nós que aqui estamos por vós esperamos concerning Film, Archive and Memory. Marcelo Masagãos film represents a new kind of audiovisual that arises and is made possible through the new technological supports of images. The approach I make on archive images brings them
Publicado em: 2008
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8. Um outro cinema - cinema documentário e memória / Um outro cinema - cinema documentário e memória
The dissertation has as proposal a reflection on the process of to do a film documentary, starting from my reflections as director. The text has as theoretical and practical mark the memory in the proposition in a form documental. I leave of literary concepts about the memory subsidized with photographic references in the creation of the content of the docum
Publicado em: 2008
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9. Documentário-ensaio: a produção de um discurso audiovisual em documentários brasileiros contemporâneos
The present research castes some elements to map the specificities of the essay-documentary. The Brazilian documentarys production has grown progressively in the last two decades, however a part of it no longer limits itself to a reproduction of the reality, characteristic traditionally associated to that type of production. In order to study those new works
Publicado em: 2008
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10. Close-up - A invenção do real em Abbas Kiarostami / Close-up - The reals invention on Abbas Kiarostami
The purpose of this dissertation is to present the analysis of the film Close-up, directed by the Iranian filmmaker Abbas Kiarostami. At first, data from the historic, religious and cultural Iranian universe are explained, relating them to the studys theme. After that, an analysis of the movies narrative is considered in the perspective of documental cinema,
Publicado em: 2007
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11. Velocidade e montagem: possibilidades de comunicação do tempo no cinema
The objective of this research is to reflect on the possibilities of the asceleration of time in media film products produced after the 90s. The chosen method was film analysis, aplyed to a case study of a brazilian movie, O Invasor, directed by Beto Brant (2001). The analysis of the editing tactics that articulates the acceleration of time on the movie was
Publicado em: 2006
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12. Comunicação e cultura: amálgama e fragmentos no cinema contemporâneo / Communication and culture: amalgam and fragments in the contemporary film
This paper aims to study the assimilation of stylistic elements from music vídeos in film as of the 1990s. We shall align natural history, hereby understood as a history of symbols, with McLuhans media theories, which deal with changes in sensitivities due to exposure and utilization of new technologies. With these complementary two premises, we shall stabl
Publicado em: 2005