Digital Arts
Mostrando 13-24 de 29 artigos, teses e dissertações.
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13. Transições da imagem:fotografia, contemporaneidade, cultura e hibridismo
A pesquisa investiga a fotografia enquanto linguagem contemporânea e híbrida, faz uso de tecnologias ópticas rudimentares e avançadas, cria interfaces com diversas outras linguagens artísticas, investiga a história da fotografia com o intuito de compreender a evolução dos métodos fotográficos, coleta equipamentos obsoletos em antiquários e assist�
Publicado em: 2009
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14. Eikon:ressonâncias visuais de uma paisagem ausente / Eikon:ressonâncias visuais de uma paisagem ausente
This research addresses actions taken during a period of involvement with creation in itself and its implications, deriving from poetic constructions experienced during the Masters Course in Visual Arts, and aimed at a refl ection on some of the demands of the creative process. During this period, I sought a poetic dialogue in experimenting hybrid visual lan
Publicado em: 2009
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15. Tecnologias de informação e comunicação : implicação da imagem digital para arte/educação contemporânea
The Information and Communication Technologies ICTs resulted, in other contexts, in the arisen of digital culture and cyberspace. Digitalization refers to the interactivity concept, which in its turn, is realized in the relations established in the computer world wide web. Digital images are, in part, a language disseminated in the cyberspace. Graphical inte
Publicado em: 2008
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16. Útero cosmos - hibridações de meios, sistemas e poéticas de um sky - art interativo / Útero cosmos - hibridações de meios, sistemas e poéticas de um sky - art interativo
This thesis of Doctorate presents the trilogy ÚTERO COSMOS (Uterus therefore Cosmos), of my authorship (Agnus Valente), as a result of a hybrid creative praxis that was developed in a Visual Poetics Research, complemented by a reflexive study of metalanguage about the hybridation operations of the productive Media, artistic Systems and Poetics, that were un
Publicado em: 2008
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17. LITHOS EDIÇÕES DE ARTE AND THE TRANSITIONS OF USES OF THE TECHNIQUES OF REPRODUCTION OF IMAGES / A LITHOS EDIÇÕES DE ARTE E AS TRANSIÇÕES DE USO DAS TÉCNICAS DE REPRODUÇÃO DE IMAGENS
This dissertation analyzes the transitions of uses that the techniques of reproduction of images have passed through. The study identifies different functional outwardness assumed for such doings, and, among them, it privileges the specifically artistic approaches: those using techniques that lost their functional use and those that appropriate of techniques
Publicado em: 2008
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18. Leitura e cogniÃÃo no hipertexto
Computer technology has changed the way human beings see themselves, the world and the other. It has permitted the creation of advanced graphic interfaces which allow the common user (one without great computer knowledge), to expand his creativity, as well as, establish new forms of communicating. Among these, we find the email, the chat, the Internet Forums
Publicado em: 2008
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19. Nós em rede: informação, corpo e tecnologias
We and our Connections is an academic research which dialogs with the Art field, intending to evidence the relations among information, body and technologies. In the development of this work, it was established at first the principle of body as the prime informational human support, constituted by the continuous exchanges between the environment and everythi
Publicado em: 2008
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20. EMOTIONS, EXPRESSIONS, ARTS AND ONTOLOGY(IES) IN AN INDISCIPLINED WEB: INTERTEXTUALITIES AND HYPERMEDIACIES ON THE CORPOREALITY, A FILM, A BOOK AND A PAINTING CALLED GIRL WITH A PEARL EARRING / EMOÇÕES, EXPRESSÕES, ARTES E ONTOLOGIA(S) NUMA REDE INDISCIPLINADA: INTERTEXTUALIDADES E HIPERMEDIAÇÕES DA CORPOREIDADE, DE UM FILME, UM LIVRO, UM QUADRO CHAMADOS MOÇA COM BRINCO DE PÉROLA
How does an observer from convergence media age may examine old media objects (painting, book, movie) and the primary media (body)? This thesis argues that a contemporary researcher´s interest on knowledge about the elements evolved in the body´s emotional expression, it´s apprehension by partners and it´s figures in analogical visual arts and literature
Publicado em: 2006
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21. VISUAL ARTS AND DIGITAL TECHNOLOGIES IN THE CONTINUED FORMATION OF THE PROFESSIONALS OF AVERAGE EDUCATION / ARTES VISUAIS E TECNOLOGIAS DIGITAIS NA FORMAÇÃO CONTINUADA DOS PROFISSIONAIS DE ENSINO MÉDIO
A presente pesquisa faz parte da Linha de Pesquisa Educação e Artes, do programa de Pós-Graduação em Educação.O objetivo deste estudo é refletir teorias e práticas da Arte e a Formação Continuada de Professores do Ensino Médio, tendo presente a processualidade educativa no Ensino de Artes Visuais frente às Tecnologias Digitais. O interesse pelo
Publicado em: 2006
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22. Metodos construtivos para edificações utilizando componentes derivados da madeira de reflorestamento / The building methods for edifications by using reflorestation derivative componentes
The facility of obtains native woods at a lower price in Brazil brought as a result, among other things, the technological delay to processing wood industry. The current shortage of the native wood, together both the ecological pressures and rigorous legislation, are helping the search from alternatives that are going to the silviculturais plantation develop
Publicado em: 2006
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23. DANCE: Uma infra-estrutura computacional para agentes danÃarinos
Ubiquity is one of the fastest growing characteristics of Informatics. One can find applications from the most usual, such as information processing systems, up to the least expected ones, such as robots that can play soccer. Perhaps, it would not be unusual to state that, nowadays, it is harder to find an area where computers are not applied than the other
Publicado em: 2005
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24. Videoclipe: encruzilhada cultural análise das bases formais e culturais do videoclipe / Videoclip: The cultural crossroads; the formal and cultural basis analysis of the videoclip.
This research project proposes a dialogue about the videoclip as an audiovisual media and with its relationship with the art and the communication medias, as well as its applicability and its significations when absorbed in a creative structure. This research is turned up to the videoclip creation processes as for its historical features, structural and cult
Publicado em: 2005