Cinematographic Technique
Mostrando 1-7 de 7 artigos, teses e dissertações.
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1. Aspectos educacionais do karate: discutindo suas representações no cinema
Resumo O karate é uma luta originária de Okinawa, ilha ao sul do Japão. Historicamente, atravessou três períodos: a partir do século XVII, como bujutsu, técnica clandestina de luta; depois, como budo, quando foi convertido em luta tradicional japonesa, em fins do século XIX, propugnando valores educacionais e identitários; e finalmente, como esporte
Educ. Pesqui.. Publicado em: 30/05/2019
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2. PONTOS E CONTRAPONTOS NA ESCRITA DE ABELAIRA / POINTS AND COUNTERPOINTS IN ABELAIRA`S WRITINGS
This dissertation is centered on the analysis of three books by Augusto Abelaira, a Portuguese 20th century writer. Bolor, Quatro Paredes Nuas and O Triunfo da Morte have been chosen because they allow us to highlight some of the narrative procedures typical of this author. A brief historical overview is followed by an analysis of themes, textual elements, f
Publicado em: 2010
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3. Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro / Cinema e industria: o conceito de modo de produção cinematográfico e o cinema brasileiro
This thesis discusses the historiography of Film History. Film History has produced a set of material that, generally, takes as starting point the films themselves and do not consider extra text material, such as the economy and the reception of the film. This work attempts, through the concept of mode of production, bridge under a conceptual apparatus match
Publicado em: 2007
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4. Por um cinema humanista: A identidade cinematográfica de Walter Salles, de a grande arte até abril despedaçado
Walter Salles is one of the Brazilian directors whose cinematographic production is to regulate and well accepted by the public and the critics. National and internationally recognized, Salles had directed documentaries, among short and long-films, but over than a decade he dedicated himself to the fiction cinema - until the present year of 2007 he released
Publicado em: 2007
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5. A técnica do filme São Jerônimo, de Júlio Bressane, segundo um desenho do tempo
This paper aims to study the compositional technique of cinema, researching the technique of creation of the movie São Jerônimo, by Júlio Bressane, based in the design of the time. São Jerônimo was constructed from a series of documents, readings, paintings, thesis that traverse between fascination for iconography linked to the saint and the immanence o
Publicado em: 2007
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6. Tradução e ideologia: uma análise da adaptação de Le silence de la mer e Ce jour-là para a televisão / Translation and ideology: an analysis of the adaptation of Le silence de la mer and Ce jour-là for television
Le silence de la mer is a TV movie made in celebration of the Second World War 60Th Anniversary. The movie was adapted from the short-stories Le silence de la mer and Ce jour-là by Vercors, who wrote clandestinely during the Nazi occupation in France. The strategies applied by the production team during the translation process allow the construction of ideo
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 26/08/2006
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7. Longitudinal fibre splitting in muscular dystrophy: a serial cinematographic study
A technique of block surface-staining and serial cinematography was modified to review serial sections of normal and dystrophic muscle from the Bar Harbor 129 Re strain of mice as a preliminary study of fibre splitting in dystrophic muscle. Using this technique, muscle fibres were reconstructed for up to 1·5 mm of their length without difficulty. Split fibr