Cinematographic Narrative
Mostrando 1-12 de 25 artigos, teses e dissertações.
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1. Processos de estigmatização e contornos da deficiência : olhar para o cinema, olhar para as (im)possibilidades de ser
This dissertation¿s objective is the analysis of processes of stigmatization that limit spaces of belonging and the possibility of growing up of the subject with disabilities that are considered deviant, offering visibility to the respective naturalization dynamics, using cinema as a support tool. In this context, the spaces of belonging, as possibility of
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 2012
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2. Carne de Fieras, Barrios Bajos e Aurora de Esperanza - o melodrama anarquista na produção cinematográfica da CNT, durante a Guerra Civil Espanhola (1936-1939) / Carne de fieras, Barrios Bajos and Aurora de esperanza: the anarchist melodrama in film production from CNT during the spanish civil war (1936-1939)
Considering the relation between History and Cinema, this present dissertation will ponder on the anarchist cinematographic production of CNT during the Spanish Civil War (1936-1939) through the analysis of three of its most important fiction works: Carne de Fieras (1936/1992), Barrios Bajos (1937) and Aurora de Esperanza (1937). They were structured in a cl
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 06/12/2011
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3. O dispositivo e seu processo: anÃlise dos filmes 33, filmefobia e seus diÃrios de campo / The device and its process: analysis of 33 films, filmefobia and his field diaries
This research analyzes the movies 33(2003) and Filmefobia (2009), directed by Brazilian filmmaker Kiko Goifman. The movies were studied from their cinematographic perspective and narratives, seeking to indentify how act the appartus developed by the director and its relationship with the creative process. From an explanation about the concept of apparatus in
IBICT - Instituto Brasileiro de Informação em Ciência e Tecnologia. Publicado em: 15/04/2011
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4. PONTOS E CONTRAPONTOS NA ESCRITA DE ABELAIRA / POINTS AND COUNTERPOINTS IN ABELAIRA`S WRITINGS
This dissertation is centered on the analysis of three books by Augusto Abelaira, a Portuguese 20th century writer. Bolor, Quatro Paredes Nuas and O Triunfo da Morte have been chosen because they allow us to highlight some of the narrative procedures typical of this author. A brief historical overview is followed by an analysis of themes, textual elements, f
Publicado em: 2010
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5. Educação, memória e cinema: um estudo comparativo das representações sociais da escola em "Os incompreendidos" e em "Machuca" / Education, memory and cinema: a comparative study about the social representations of the school in The 400 blows and in Machuca
This dissertation aims verify what are the social representations about the school, through the comparison between the films The 400 blows (1959) and Machuca (2004). For this purpose, was adopted the analyze of narrative structure of fictional feature film, knowing that it is the cinematographic product more accessible for a wider audience. It is necessary e
Publicado em: 2010
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6. ABOUT IMPOSSIBILITIES AND LIMITS OF REPRESENTATION IN THREE NOVELS BY MARGUERITE DURAS / DE IMPOSSIBILIDADES E LIMITES DA REPRESENTAÇÃO EM TRÊS TEXTOS DE MARGUERITE DURAS
This work aims at verify the implications in Marguerite Duras literary aesthetic by proposing the denial of representation, through transgression to the traditional narrative. Starting from three texts by Duras which dialogue with the cinematographic language Le camion (1977), Le Navire Night (1979) and La maladie de la mort (1983), this work, throughout thr
Publicado em: 2009
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7. A construção narrativa e plástica do filme Matrix.
This master thesis presents the results of analyses concerning the narrative strategies and the cinematographic construction of the science-fiction film The Matrix, following two analytic approaches: the Poetics of Film method of film analysis and the concepts of Neoformalist narratology. The resources and strategies employed by this film, along with its pro
Publicado em: 2008
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8. MemÃria filmada : estudo do documentÃrio de Eduardo Coutinho como possibilidade de entrecruzamento entre as narrativas histÃrica e cinematogrÃfica
Studying history throught the cinema. Studying cinema throught the history. In the extract, we study how Eduardo Coutinhoâs cinema leads us to a reflexion about memory and the past, important themes for the history. How can these writings, historic and cinematographic, be crossed. How can the documentary cinema presents itself as a concept and what are the
Publicado em: 2008
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9. SUTIS RESISTÊNCIAS: CRIAÇÃO CINEMATOGRÁFICA E INSTÂNCIAS DE PRODUÇÃO DE FILMES / SUBTLE RESISTANCIES: FILM CREATION AND PRODUCTION INSTANCIES
If the tension between artistic work and the market`s logic hunted art in general, since the beginning of mass culture in mid nineteen century, it became present in films since its birth: beyond the dimension of work of art, with the invention of the spectacle of projection, films became a largely consumed product which imposed industry production methods an
Publicado em: 2008
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10. The Work of Thomas Newman to the Cinema : Musical Facts that contribute to the Filmic Narrative Creation / A obra de Thomas Newman para o cinema : fatores musicais que contribuem para a criação da narrativa filmica
This research had for purpose to perform an analytical study of the music by composer Thomas Newman and its interaction to filmic narrative. The general principles of music utilization as part of the audiovisual composition were approached. Such principles, in part, were consolidated by the Hollywood tradition. Some theoretical considerations were made, base
Publicado em: 2007
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11. Por um cinema humanista: A identidade cinematográfica de Walter Salles, de a grande arte até abril despedaçado
Walter Salles is one of the Brazilian directors whose cinematographic production is to regulate and well accepted by the public and the critics. National and internationally recognized, Salles had directed documentaries, among short and long-films, but over than a decade he dedicated himself to the fiction cinema - until the present year of 2007 he released
Publicado em: 2007
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12. Initiation : a videographic look on Shavante myth and ritual / Iniciação : um olhar videografico sobre mito e ritual Xavante
The purpose of this work was the production of a short documentary film about the Shavante?s initiation ritual realized in 2005 between May and August in indian village called Sangradouro located in State of Mato Grosso. A brief introduction on important aspects of Shavante social structure is initially presented to permit understanding of the initiation rit
Publicado em: 2007