Brazilian Music Piano
Mostrando 13-24 de 39 artigos, teses e dissertações.
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13. Conteúdos programáticos para formação em curso técnico de performance pianística: Conservatório Estadual De Música Cora Pavan Capparelli / Syllabus for training in technical course of piano performance: State Conservatory Of Music Cora Pavan Capparelli
This research work has a relation with the theme of the pianistic teaching programs. Its focus is the dissatisfaction and conflicts produced between teachers and students in the piano learning process. According to the situation, this investigation is directed to the study of none correspondence between scheduled subjects required at the Cora Pavan Capparell
Publicado em: 2009
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14. Zeitgestalt - análise e performance do trio em sol menor de Francisco Braga / Zeitgestalt Análysis and Performance of Trio in G minor by Francisco Braga
The present work extends the research presented for Masters concluded in 2002 at PUC-SP, on a method of analysis of Zeitgestalten towards musical performance. On that occasion it was carried out a study on the theoretical foundations of the method and the Zeitgestalten analysis of pieces for piano solo, based on the book Denken und spielen (Thinking and Play
Publicado em: 2009
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15. Descoberta Automática de Conhecimento em Interpretações Musicais: Microandamento e Microdinâmica
The performance of a song in the exactly way it is written on the score tends to sound mechanical and artificial to any musician with a minimum experience. Among the variations made by a musician when interpreting a score, classified as musical expressivity, are: a) microtiming, micro time variations; b) microdynamics, small variations of the notes intensity
Publicado em: 2009
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16. The tree sonatas for piano by José Peralva: a analytic and interpretative aproach / As três sonatas para piano de José Penalva: uma abordagem analítico-interpretativa
This work aims to shed an analytical-interpretative look on the 3 Sonatas for Piano by José Penalva (1924-2002), wh re the analytical processes serve as a complement to instrumental performance. It was a historical and bibliographical survey on the composer, placing him within Brazilian and world music scene. This survey helped to highlight compositional ch
Publicado em: 2009
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17. Frevo para piano de Egberto Gismonti: uma análise de procedimentos populares e eruditos na composição e performance
This work is a study about the recognition of classical and popular elements in Gismontis performance of his work Frevo for solo piano. It is a descriptive analysis, based on musical characteristics of the genre frevo and on composicional comparisons with classical composers. It has been used as primary sources: a) the recording of Frevo, performed by the au
Publicado em: 2009
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18. Concerto n. 1 para Violino e Orquestra de M. Camargo Guarnieri: Aspectos Históricos, Estéticos e Temático-Motívicos.
The purpose of this research was to study the Concerto no. 1 for Violin and Orchestra by Camargo Guarnieri. One of its main goals was the search for elements of the Brazilian musical nationalism present in this work. Thus, in order to achieve this first goal, an analysis was done based on the Ensaio sobre a música brasileira by Mário de Andrade. Where the
Publicado em: 2009
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19. Dança brasileira and dança negra for piano by Camargo Guarnieri : an interpretative approach / Dança brasileira e dança negra para piano solo de Camargo Guarnieri : uma abordagem interpretativa
Camargo Guarnieri (01/02/1907 - 13/01/1993) is one of the most important Brazilian composers. His large output includes music for orchestra, chamber music, solo voice, choir and solo instruments. Guarnieri was an accomplished pianist and wrote several pieces for piano. A significant amount of research has been conducted on Camargo Guarnieri´s music both in
Publicado em: 2008
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20. Olivier Messiaen : inter-relação entre conjuntos, textura, ritimica e movimento em peças para piano / Olivier Messiaen : inter-relation between sets, texture, rhythm and movement in piano pieces
This work proposes an association between musical analysis techniques developed during the twentieth and the twenty-first centuries and the musical theory concepts presented by Olivier Messiaen in his Technique de mon langage musical (Messiaen 1944a and 1944b) and Traité de Rythme, de Couleur, et d Ornithologie (Messiaen 1994a, 1994b and 1994c), first, seco
Publicado em: 2008
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21. Os sete estudos para piano de Gilberto Mendes / Os sete estudos para piano de Gilberto Mendes
This work approaches the seven piano Études by Gilberto Mendes in an analysis focusing interpretation issues. In combining this objective to that of registering the compositional techniques applied, we tried to compare these pieces to earlier works, looking for a better understanding of the language of this composer who is considered one of the best in Braz
Publicado em: 2008
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22. Marlos Nobre : aspectos motivisticos em duas peças para piano : Sonata Breve, opus 24 (1966/2000) e Tango, opus 61 (1984) / Marlos Nobre : aspects motivics in two pieces for piano : Sonata Breve, opus 24 (1966/2000) and Tango, opus 61 (1984)
The main goal of this research is the analysis and interpretative study of two of Marlos Nobre s piano pieces: Sonata Breve, opus 24 (1966/2000) and Tango, opus 61 (1984). The methodology includes three main points: to introduce the biography and historical data of the composer s life; study of the musical material and analysis techniques; to read and analyz
Publicado em: 2008
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23. From open form to indeterminacy : procedures of employment of hasard in the brazilian music for piano / Da forma aberta a indeterminação : processos da utilização do acaso na musica brasileira para piano
The main purpose of this essay is to analyse music pieces of the Brazilian repertoire for piano that use processes of chance (Open Form, Aleatory Music, Improvisation and Indeterminacy). This essay begins with the historic context of the use of chance in the 20th Century, trying to establish its antecedents and its origins in the musical scenery afier World
Publicado em: 2007
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24. Questoes estruturais e interpretativas na obra pianistica de Ricardo Tacuchian / Structural aspects and interpretation of the piano works by Ricardo Tacuchian
This dissertation is based on complete piano works by the composer Ricardo Tacuchian (1939). These pieces are divided into three phases - National phase (1960s), experimental phase (1970s), and postmodern phase (since 80 to present days). The main objectives of the dissertation are: (1) contribute to bibliography of twentieth and twenty-first century music (
Publicado em: 2007