TransgressÃes na obra de John Waters: uma anÃlise de Pink Flamingos e Problemas Femininos

AUTOR(ES)
DATA DE PUBLICAÇÃO

2009

RESUMO

John Waters is an american director that begging to make movies underground on 60Âs. Since Pink Flamingos, Waters became known for scenes charged like bizarre. Persons, among other, by the actor Harris Glen Milstead, known like Divine. One of the major factors of the recognition for the author was the exhibitions in the film circuit Midnight Movie, dedicated to the sample of films that, for your eschatological content, would not be well accepted in conventional theaters. These sessions, as well as the exploitation of anti-conventional routes in his work, created around himself an eager public by the consumption of films aimed at a non-canonical aesthetic, which reverberates to the present day. The following analysis takes into account factors in the first phase of John Waters (the seventies until the mid-80), covering topics such as the grotesque, the ugly and the camp. In the second part we propose to examine some aspects of the Midnight Movie in search of elements of taste, which would form a subculture where the members present in common a preference for non-canonical. After the assets to an aesthetic analysis, comparing characteristics of the classic film with the theories studied. Finally, we compare the two theoretical assumptions based on Michel Foucault, trying to find consistency between the concept of transgression and the material analyzed

ASSUNTO(S)

camp john waters camp comunicacao grotesque john waters grotesco transgression transgressÃo

ACESSO AO ARTIGO

Documentos Relacionados