To the shade of the Father / A sombra do Pai

AUTOR(ES)

Fabiana Abi Rached de Almeida

DATA DE PUBLICAÇÃO

2009

RESUMO

The proposal of this work is to articulate a comparative study between the romance To the left of the father, Nassar Raduan (1975), and the film, To the left of the father by Fernando Carvalho (2001). Today, we can no longer deny the influence of various forms of art in modern life, mainly of cinema. Literature influences the cinema and cinema, literature. Although they are different art forms, movie and romance can be seen as complementary works to the extent that there is the possibility of analising one on behalf of the other. In addition to the delicate intersections that exist between the various forms of art, there are difficulties which permeate the majesty and complexity of such works and therefore questions always turns up: how to talk about and even absorb so intense works? How to unravel the mysteries of such works without distort or reduce them? To do this research we use some concepts that merge into the theory of literature, film and, mainly, Freud s and Lacan’s theorys of psychoanalysis; so that, by these means, we could articulate a study that is at the same time “severe” and that preserves the fundamental interstices and both work’s poetry.

ASSUNTO(S)

filme raduan movie romance nassar novel sublime sublime

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