The relationship poetry and music in Osvaldo Lacerdas choral works on poems by Carlos Drummond de Andrade: an analytical-interpretative approach. / A relação poesia e música nas obras corais de Osvaldo Lacerda sobre poemas de Carlos Drummond de Andrade: uma abordagem analítico-interpretativa

AUTOR(ES)

Andréia Anhezini da Silva

DATA DE PUBLICAÇÃO

2009

RESUMO

The focus of this dissertation is the analytical investigation of the expressive system of five pieces for a cappella choir written by composer Osvaldo Lacerda on poems by Carlos Drummond de Andrade, pointing out the relations that music establishes with poetic art and investigating compositional techniques adopted by the composer in accordance with the musical extraction he makes from the poem to construct his musical-poetic meanings. The choral works are: Quadrilha (1967), Romaria (1967), Poema da Necessidade (1967), Céu Vazio (1968) e Uníssono (first part fo Quatro Estudos para Coro, 1971). From this analysis, suggestions about the performance of these pieces are offered to the interpreter, pointing to relevant aspects of choral interpretation.

ASSUNTO(S)

osvaldo lacerda e carlos drummond de andrade - análise musical para performance poesia e música musical analysis for performance osvaldo lacerda and carlos drummond de andrade poetry and music

Documentos Relacionados

• Paisagismo musical no nordeste brasileiro em quatro canções de Oswaldo de Souza: uma abordagem analítico-interpretativa
• Abordagem analitico-interpretativa da sonatina (1995) para violino e piano de Danilo Guedes Guanais
• Ciclos nordestinos 1, 2 e 3 para piano de Marlos Nobre: uma abordagem analítico-interpretativa
• The tree sonatas for piano by José Peralva: a analytic and interpretative aproach
• Three piano waltzes of Radames Gnattali : an analytical-interpretive approach