The lyrical opera as a tool for teaching Italian as a foreign language: theories and practices / A ópera lírica como instrumento de ensino de italiano LE: teorias e práticas

AUTOR(ES)
DATA DE PUBLICAÇÃO

2010

RESUMO

Lyrical opera can be an excellent teaching material for use at all levels of language education, not only because of its unquestionable cultural, historical and social value, but mainly for amalgamating musical, theatrical and literary languages, thereby forming a productive tool for teaching the Italian language. Based on the precepts of semiotic analysis, especially with regard to studies of the Semiotics of Passions, lyrical opera can be taught and presented to students in its authentic format, aimed at student training and autonomy. Indeed, the route adopted simulates the passage through the three levels of textual analysis, starting from the musical moods to arrive at the actions of the plot. The practical part of this work is dedicated to the course "Rigoletto: per gli amanti della lingua e della cultura italiana", especially designed to legitimize the proposal to employ lyrical opera in Italian lessons for foreign learners. This is a teaching unit about Rigoletto, an important work by Giuseppe Verdi and Francesco Maria Piave, 1851. In summary, in this work I intend to discuss theories involving the teaching use of lyrical opera and illustrate its application based on the activities of that course. Finally, the results obtained during the assessment phase will be used to prove its effectiveness.

ASSUNTO(S)

lyrical opera material autêntico rigoletto Ópera lírica authentic material semiótica das paixões ensino da língua italiana semiotics of passions italian language teaching rigoletto

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