TECENDO O LABIRINTO: O TRABALHO DE ROBERT MORRIS NAS DÉCADAS DE 1960-1970 / THREADING THE LABYRINTH: THE WORK OF ROBERT MORRIS IN THE YEARS 1960S-1970S
AUTOR(ES)
CAMILA SANTORO MAROJA
DATA DE PUBLICAÇÃO
2006
RESUMO
In its refusal of the idea of an artistic production based on linearity, the work of Robert Morris in the years 1960s-1970s cannot be designated as minimalist art, process art or site-specific, although his writings and pieces were essential for critics and art historians to define and/or to create the definitions themselves. The mobility which the artist adopts - both in his performance pieces and his process pieces - leads viewers into a sensible space/time experience turning them into participants/visitors. Although the works of Robert Morris point to the concerns of its historical background, they also foresee an aesthetic research that has continued to this day. By offering a series of exploration initiatives, they compel a reflection about the options of sculpture and about its perception. They are works that entail time, space, and the body as conditions of an aesthetic experience.
ASSUNTO(S)
escultura espaco arte contemporanea contemporary art tempo space body sculpture corpo time
ACESSO AO ARTIGO
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