Resonancias Vocales y Memoria Sonora en Helen Brown
AUTOR(ES)
Sölter, Andrés Grumann
FONTE
Rev. Bras. Estud. Presença
DATA DE PUBLICAÇÃO
01/08/2016
RESUMO
Abstract: The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance.
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