Projeto beijuras e seus desdobramentos em arte pública: entre práticas individuais e colaborativas
AUTOR(ES)
Gabrielle Althausen
DATA DE PUBLICAÇÃO
2007
RESUMO
This dissertation based on the Beijuras project, a proposal of collaborative art and their unfoldings. It constructs a report from the lived processes in specifically micro contexts. It reports facts with the intention to generate to the reader new experiences given by the reading. It treats the theme of contamination of art with other life representative means. Discusses the role of the artist in the society, the enlarged concept of the spectator, and the work dematerialization. Explores considerations about experiences, subjectivity, information, creation, collaboration, differences, convivial, experiences in the new public art territory were the process is the emphasis of the artistic practice. Critical analyses the role of art institutions likewise their artistic practices in the special aspect of cultural identities and representations. Judiciously sees individual and collective practices from de social individual in respect with others and the world. Alerts for the naive artistic discussion, textualizing the social territory where art belongs. Makes reflections about the function of art and the power of its manipulation when it is a instrument of the dominating cultural capitalism sphere, from where its subjectivity became a product. Points to the transformating character from the new public art when it is capable to provoke the empowerment of the individual from his respective life, utilizing tactics in the everyday reinvention, in constant production
ASSUNTO(S)
reinvenção arte popular arte e sociedade collaboration reinvention colaboração new public art nova arte pública artes plasticas
ACESSO AO ARTIGO
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